Zobrazeno 1 - 10
of 19
pro vyhledávání: '"Theory and History of theater"'
Autor:
Fracalanza, Narahan Dib
A presente dissertação é parte da pesquisa que se propõe investigar o discurso da materialidade cênica do grupo italiano Socìetas Raffaello Sanzio. O foco central neste primeiro momento é sua trajetória e as experiências daí decorrentes. At
Autor:
Narahan Dib Fracalanza
Publikováno v:
Biblioteca Digital de Teses e Dissertações da USPUniversidade de São PauloUSP.
A presente dissertação é parte da pesquisa que se propõe investigar o discurso da materialidade cênica do grupo italiano Socìetas Raffaello Sanzio. O foco central neste primeiro momento é sua trajetória e as experiências daí decorrentes. At
Autor:
Haas, Maximilian
Publikováno v:
TDR: The Drama Review (Cambridge University Press); Mar2023, Vol. 67 Issue 1, p68-73, 6p, 1 Color Photograph
Autor:
Ramis, A. Gabriela
Publikováno v:
Revista Brasileira de Estudos da Presenca; jul-sep2019, Vol. 9 Issue 3, p1-25, 25p
Publikováno v:
Perceiving Power in Early Modern Europe; 2016, p227-237, 11p
Autor:
Shlemko Olga
The purpose of the articleis to identify the genesis and dynamics of modern development of the International Festival of Women Monodramas “Mariia”, to determine its place and role in the system of theatrical festival movement of Ukraine and the E
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______2659::7060ce43e984d5e56e601d47032a9042
https://zenodo.org/record/5145096
https://zenodo.org/record/5145096
Publikováno v:
Вісник Київського національного університету культури і мистецтв. Серія: Сценічне мистецтво; Том 4 № 1 (2021); 65-79
Вестник Киевского национального университета культуры и искусств. Серия: Сценическое искусство; Том 4 № 1 (2021); 65-79
Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art; Vol. 4 No. 1 (2021); 65-79
Вестник Киевского национального университета культуры и искусств. Серия: Сценическое искусство; Том 4 № 1 (2021); 65-79
Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art; Vol. 4 No. 1 (2021); 65-79
The purpose of the article is to identify the genesis and dynamics of modern development of the International Festival of Women Monodramas “Mariia”, to determine its place and role in the system of theatrical festival movement of Ukraine and the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=scientific_p::a88083a9e35385273802c451da398c81
http://artonscene.knukim.edu.ua/article/view/234239
http://artonscene.knukim.edu.ua/article/view/234239
Publikováno v:
Вісник Київського національного університету культури і мистецтв. Серія: Сценічне мистецтво, Vol 4, Iss 1 (2021)
The purpose of the article is to identify the genesis and dynamics of modern development of the International Festival of Women Monodramas “Mariia”, to determine its place and role in the system of theatrical festival movement of Ukraine and the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::d5d378dcd209d85b174208f70176e0f5
http://artonscene.knukim.edu.ua/article/view/234239
http://artonscene.knukim.edu.ua/article/view/234239