Výsledky vyhledávání - "Theatrical genetics"

Le Laboratoire du Dramaturge et les Etudes en Génétique Théâtrale: expériences

Publikováno v: Brazilian Journal on Presence Studies; Vol. 1 No. 2 (2011): jul./dez. 2011; 399-412
Révue Brésilienne d'Études de la Présence; Vol. 1 No. 2 (2011): jul./dez. 2011; 399-412
Révue Brésilienne d'Études de la Présence; Vol. 1 No 2 (2011): jul./dez. 2011; 399-412
Revista Brasileira de Estudos da Presença; v. 1 n. 2 (2011): jul./dez. 2011; 399-412
Revista Brasileira de Estudos da Presença
Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
Revista Brasileira de Estudos da Presença, Vol 1, Iss 2, Pp 443-458 (2011)

This study is situated in the field of Theatrical Genetics and deals with the presence of the dramaturge in action. It assesses the relevance and uniqueness of the process of textual migration toward the theatrical scene caused by the combined exerci

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::96d5298030969946615863791e4593e8
https://seer.ufrgs.br/index.php/presenca/article/view/22494

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Akademický článek

De L’Inventaire du planteur au Mousse et au Cabin boy : Réorientation et recadrage d’une histoire antiesclavagiste d’É. Souvestre en pièce de théâtre

Autor: Barbara T. Cooper

Publikováno v: Carnets, Vol 14 (2018)

An abolitionist anecdote recounted by Harriet Martineau in Society in America gave rise to several literary works written between 1838 and 1846. Transformed into an antislavery tale by Souvestre (L’Inventaire du planteur), then changed into a comic

Externí odkaz: https://doaj.org/article/b25459884838406bab56e4545bdf4a33

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Un Journal de Genèse: L’Atelier Volant de Valère Novarina

Autor: Jean-Marie Thomasseau

Publikováno v: Brazilian Journal on Presence Studies; Vol. 3 No. 2 (2013): maio/ago. 2013; 516-527
Révue Brésilienne d'Études de la Présence; Vol. 3 No. 2 (2013): maio/ago. 2013; 516-527
Révue Brésilienne d'Études de la Présence; Vol. 3 No 2 (2013): maio/ago. 2013; 516-527
Revista Brasileira de Estudos da Presença; v. 3 n. 2 (2013): maio/ago. 2013; 516-527
Revista Brasileira de Estudos da Presença
Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
Revista Brasileira de Estudos da Presença, Vol 3, Iss 2, Pp 551-565 (2013)

This paper describes and analyses the diary of the writer and playwright Valère Novarina. It explores his notes as records of the creative process that originated the play L’Atelier Volant and describes the concerns and problematisations of the au

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::1ee600985ed069ee44b4baff502cf68c
https://seer.ufrgs.br/index.php/presenca/article/view/36249

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Performativité et la Genèse de la Scène

Autor: Fernandes (Universidade de São Paulo - São Paulo, Brasil), Sílvia

Publikováno v: Brazilian Journal on Presence Studies; Vol. 3 No. 2 (2013): maio/ago. 2013; 395-412
Révue Brésilienne d'Études de la Présence; Vol. 3 No. 2 (2013): maio/ago. 2013; 395-412
Révue Brésilienne d'Études de la Présence; Vol. 3 No 2 (2013): maio/ago. 2013; 395-412
Revista Brasileira de Estudos da Presença; v. 3 n. 2 (2013): maio/ago. 2013; 395-412
Revista Brasileira de Estudos da Presença, Vol 3, Iss 2, Pp 404-419 (2013)
Revista Brasileira de Estudos da Presença
Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS

From the recognition of the tension between reality and fiction in contemporary theatre, generally defined as theatre of the real, we intend to make an intersection of this phenomenon with the theoretical field of performativity, which focuses on the

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::e615df506b692157c15b8389e8cb388d
https://seer.ufrgs.br/index.php/presenca/article/view/38137

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La Fabrique de Théâtre: enjeux et paradoxes

Autor: Josette Féral

Publikováno v: Brazilian Journal on Presence Studies; Vol. 3 No. 2 (2013): maio/ago. 2013; 528-538
Révue Brésilienne d'Études de la Présence; Vol. 3 No. 2 (2013): maio/ago. 2013; 528-538
Révue Brésilienne d'Études de la Présence; Vol. 3 No 2 (2013): maio/ago. 2013; 528-538
Revista Brasileira de Estudos da Presença; v. 3 n. 2 (2013): maio/ago. 2013; 528-538
Revista Brasileira de Estudos da Presença
Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
Revista Brasileira de Estudos da Presença, Vol 3, Iss 2, Pp 566-581 (2013)

This text presents issues of Theatrical Genetics, in particular, in its relation with the analysis of living processes of creation. The text proposes the concept of trace – in its production and disappear- ance, both typical of the theatrical proce

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::5dfd1780c29e65f9130278a7c60e5b59
https://seer.ufrgs.br/index.php/presenca/article/view/39158

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Akademický článek

Un Christophe ignoré des Césairiens

Autor: Jonassaint, Jean

Publikováno v: Il Tolomeo, Vol 19, Iss 1, Pp - (2017)

After the triumph of King Christophe in Salzburg in 1964, Europa Studio, a subsidiary of Bertelsmann, co-produced with Austrian television a TV show of Jean-Marie Serreau’s production, directed by Ottokar Runze and aired on 20 January 1965. This hi

Externí odkaz: https://doaj.org/article/fa7c14de87c643f49ca06e2fa206015a

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Akademický článek

For a Theatrical Genetics: assumptions and challenges

Autor: Almuth Grésillon, Marie-Madeleine Mervant-Roux, Dominique Budor

Publikováno v: Revista Brasileira de Estudos da Presença, Vol 3, Iss 2, Pp 379-403 (2013)

Is it possible to apply to theatre the genetic method, known and used in the field of literature? A theatrical work is a heterogeneous set of textual and scenic data, an ephemeral and fleeting entity, because every staging – but also every presenta

Externí odkaz: https://doaj.org/article/b819d8e015814eabac4c7d66f4a1cea3

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Akademický článek

Traces that Emulate Figures: the staging of Samuel Beckett’s Ohio Impromptu

Autor: Luiz Marfuz

Publikováno v: Revista Brasileira de Estudos da Presença, Vol 3, Iss 2, Pp 476-497 (2013)

– This text examines, from the point of view of theatrical genetics, principles and procedures which guided the staging of Ohio Impromptu, a play by Samuel Beckett, translated by novelist and playwright Cleise Mendes. The analysis includes textual,

Externí odkaz: https://doaj.org/article/a6b7fb2bb32e464ca6b223a90d99063e

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Akademický článek

Genetics of a Reenactment in Jan Fabre’s Work

Autor: Giulio Boato

Publikováno v: Revista Brasileira de Estudos da Presença, Vol 3, Iss 2, Pp 434-461 (2013)

This article proposes a selective path through the process of recreation of two spectacles by Jan Fabre: This is theatre like it was to be expected and foreseen (1982) and The power of theatrical madness(1984). The author – who followed closely the

Externí odkaz: https://doaj.org/article/b655f3b094ef4426855cb11a708cbe75

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Akademický článek

Performativity and Genesis of the Scene

Autor: Sílvia Fernandes

Publikováno v: Revista Brasileira de Estudos da Presença, Vol 3, Iss 2, Pp 404-419 (2013)

Externí odkaz: https://doaj.org/article/705a6a3c03964e0f8b049db4efcab54a

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