Zobrazeno 1 - 10
of 31
pro vyhledávání: '"Theatrical Aesthetics"'
Autor:
Hoppe, Balbina
Publikováno v:
Schulz/Forum. (13):102-108
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=802360
Autor:
Grzegorz Kondrasiuk
Publikováno v:
Pamiętnik Teatralny, Vol 67, Iss 1/2, Pp 225-229 (2018)
In his work, Wirus mobilizacji, Wojciech Klimczyk presents a history of Western Europe interpreted through the changing dancing practices, or to use Klimczyk’s own vocabulary, an owerview of subsequent social choreographies. The two sizeable volume
Externí odkaz:
https://doaj.org/article/794d44c83679459c8ae689318ca1a168
Autor:
Mateusz Żurawski
Publikováno v:
Pamiętnik Teatralny, Vol 67, Iss 1/2, Pp 99-112 (2018)
The paper addresses some methodological and technical issues involving the process of reconstructing a theatrical production based on its surviving documentation and other archival materials as well as the working out of the so-called documented and
Externí odkaz:
https://doaj.org/article/a6c1dd1d9459474aa75c3c8a50a6c826
Autor:
Kondrasiuk, Grzegorz
Publikováno v:
Pamiętnik Teatralny / Theatrical Memoir. 266(1-2):225-229
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=684219
Autor:
Żurawski, Mateusz
Publikováno v:
Pamiętnik Teatralny / Theatrical Memoir. 266(1-2):99-112
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=684209
В статье рассматривается пьеса бразильского драматурга и режиссера А. Боала «Буря» (1974), созданная в рамках полемики о философской и цив
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cbc42aee80f7fd7df10d255c9f96b169
Autor:
Kaczmarek, Tomasz
Publikováno v:
Acta Universitatis Lodziensis. Folia Litteraria Romanica. (9):97-106
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=683426
Autor:
Ciobotaru, Anca Doina
Publikováno v:
Colocvii teatrale / Theatrical Colloquia. (16):185-191
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=187418
Autor:
Boléo, Ricardo
Publikováno v:
Sinais de Cena; 2nd series, nr. 5 (2021); 58-74
Sinais de Cena; 2.ª série, n.º 5 (2021); 58-74
Sinais de Cena; 2.ª série, n.º 5 (2021); 58-74
Fernando Pessoa’s plays or just a few fragments of these have been staged in Portugal over the past sixty years, alongside the author’s poetry. In this essay we take as an example the experience, in the first person, of dramaturgical creation and
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=sarcservicod::7fa7f63ff3e0802bb1e8f355ca946c4c
https://revistas.rcaap.pt/sdc/article/view/24806
https://revistas.rcaap.pt/sdc/article/view/24806
Publikováno v:
Ukrainian musicology; Vol. 46 (2020); 45-57
Українське музикознавство; Том 46 (2020); 45-57
Українське музикознавство; Том 46 (2020); 45-57
The aim of the study. Rethinking conceptual approaches to creating a director's concept for an opera performance through the prism of modern theatrical aesthetics.The object is to determine modern transformations of opera performances as the results
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=scientific_p::1866dd381d06f254422cf31254dea7a7
http://musicology.com.ua/article/view/234593
http://musicology.com.ua/article/view/234593