Zobrazeno 1 - 2
of 2
pro vyhledávání: '"Theatre-Danse Classique Indienne"'
Publikováno v:
Brazilian Journal on Presence Studies; Vol. 7 No. 1 (2017): jan./abr. 2017; 154-183
Révue Brésilienne d'Études de la Présence; Vol. 7 No. 1 (2017): jan./abr. 2017; 154-183
Révue Brésilienne d'Études de la Présence; Vol. 7 No 1 (2017): jan./ abr. 2017; 154-183
Revista Brasileira de Estudos da Presença; v. 7 n. 1 (2017): jan./abr. 2017; 154-183
Revista Brasileira de Estudos da Presença
Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
Revista Brasileira de Estudos da Presença, Vol 7, Iss 1, Pp 154-183 (2017)
Révue Brésilienne d'Études de la Présence; Vol. 7 No. 1 (2017): jan./abr. 2017; 154-183
Révue Brésilienne d'Études de la Présence; Vol. 7 No 1 (2017): jan./ abr. 2017; 154-183
Revista Brasileira de Estudos da Presença; v. 7 n. 1 (2017): jan./abr. 2017; 154-183
Revista Brasileira de Estudos da Presença
Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
Revista Brasileira de Estudos da Presença, Vol 7, Iss 1, Pp 154-183 (2017)
This article intends to analyze the concept of dṛśya kāvya (visible poetry) from the Indian scenic tradition, as a proposal to a dramaturgy of the body. Starting from the impact that the Asian scenic tradition caused in the European theater in th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::5fe2b9a4e87ca1ab612126bf41c504a1
https://seer.ufrgs.br/index.php/presenca/article/view/63654
https://seer.ufrgs.br/index.php/presenca/article/view/63654
Autor:
Gomes (Universidade Federal de Ouro Preto ‒ UFOP, Ouro Preto/MG, Brazil), Ricardo Carlos, Duarte (Universidade Federal de Minas Gerais ‒ UFMG, Belo Horizonte/MG, Brazil), Priscilla de Queiroz
Publikováno v:
Brazilian Journal on Presence Studies; Vol. 7 No. 1 (2017): jan./abr. 2017; 154-183
Révue Brésilienne d'Études de la Présence; Vol. 7 No. 1 (2017): jan./abr. 2017; 154-183
Révue Brésilienne d'Études de la Présence; Vol. 7 No 1 (2017): jan./ abr. 2017; 154-183
Revista Brasileira de Estudos da Presença; v. 7 n. 1 (2017): jan./abr. 2017; 154-183
Revista Brasileira de Estudos da Presença
Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
Révue Brésilienne d'Études de la Présence; Vol. 7 No. 1 (2017): jan./abr. 2017; 154-183
Révue Brésilienne d'Études de la Présence; Vol. 7 No 1 (2017): jan./ abr. 2017; 154-183
Revista Brasileira de Estudos da Presença; v. 7 n. 1 (2017): jan./abr. 2017; 154-183
Revista Brasileira de Estudos da Presença
Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
The Dramaturgy of the Body in the Indian Theatre as a Visible Poetry ‒ This article intends to analyze the concept of dṛśya kāvya (visible poetry) from the Indian scenic tradition, as a proposal to a dramaturgy of the body. Starting from the im
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::16ccaa32e94e64f85ec7157b4e746669
https://seer.ufrgs.br/index.php/presenca/article/view/69537
https://seer.ufrgs.br/index.php/presenca/article/view/69537
