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pro vyhledávání: '"Tereza Hadravová"'
Autor:
Tereza Hadravová
Publikováno v:
Acta Universitatis Carolinae: Philosophica et Historica, Vol 2019, Iss 2, Pp 193-200 (2020)
To discuss a question of the possibility of a“translation” of a visual work of art into language, the paper outlines the distinction between presentational and discoursive symbols as it was conceived by Susanne Langer. It emphasizes the fact that
Externí odkaz:
https://doaj.org/article/9cc52876ea9e45ce9d3025f0541ef674
Autor:
Tereza Hadravová
Publikováno v:
Eidos. A Journal for Philosophy of Culture, Vol 4, Iss 1, Pp 38-48 (2020)
The paper concerns a “Note on the Film,” a short appendix to Feeling and Form by Susanne Langer. The interpretation interweaves the Note into a larger context of Langer’s philosophical work – primarily in terms of her understanding of the dre
Externí odkaz:
https://doaj.org/article/7aac595728bf40fc81cb57637cd5c487
Autor:
Tereza Hadravová
Publikováno v:
ESPES, Vol 8, Iss 1, Pp 27-36 (2019)
Externí odkaz:
https://doaj.org/article/6fe342ebf682405fae1ea0616bbf795e
Autor:
Tereza Hadravová
Publikováno v:
Estetika, Vol 49, Iss 1, Pp 116-121 (2012)
A review of Carolyn Korsmeyer’s Savoring Disgust: The Foul and the Fair in Aesthetics (New York: Oxford University Press, 2011, 208 pp. ISBN 978-0-19-975694-0).
Externí odkaz:
https://doaj.org/article/34b5e1aa90534e96a4eeac0f6e8d17e5
Autor:
Tereza Hadravová
Publikováno v:
Estetika, Vol 45, Iss 1, Pp 118-122 (2008)
A review of Barbara Maria Stafford’s Echo Objects: The Cognitive Work of Images (Chicago and London: University of Chicago Press, 2007, 281 pp. ISBN: 978-0-226-77051-2)
Externí odkaz:
https://doaj.org/article/9872493b191f4e29a3a1ebf2630644d2
Autor:
Louis, Arbez, Tereza, Hadravová, Aurélien, Royer, Sophie, Montuire, Oldřich, Fejfar, Ivan, Horáček
Publikováno v:
In Palaeogeography, Palaeoclimatology, Palaeoecology 1 May 2024 641
Akademický článek
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Autor:
Tereza Hadravova, Sabrina Muchová
Publikováno v:
Aisthesis, Vol 15, Iss 1 (2022)
In this paper, we draw attention to temporal aspects of works of art displayed, performed, or held in public spaces, generally designated as public art. We argue that the debate on public art has been biased towards discussing the spatial. We focus o
Externí odkaz:
https://doaj.org/article/00a828caa35346f1b5a34e57ef8b8413