Zobrazeno 1 - 10
of 14
pro vyhledávání: '"Teresa Ludden"'
Autor:
Teresa Ludden
Publikováno v:
Politics and Culture in Germany and Austria Today. :34-57
Autor:
Teresa Ludden
Publikováno v:
Austrian Studies. 29:68-85
Autor:
Teresa Ludden
Publikováno v:
German Life and Letters. 72:399-426
Autor:
Teresa Ludden
Publikováno v:
German Life and Letters. 72:443-468
Autor:
Teresa Ludden
Publikováno v:
Edinburgh German Yearbook 8. :125-142
Autor:
Teresa Ludden
Publikováno v:
Prostitution and Sex Work in Global Cinema ISBN: 9783319646077
Rather than interpreting R.W. Fassbinder’s film Lola and Helma Sanders’s Shirins Hochzeit through the usual angle of genre and melodrama, this essay used Hegelian dialectical philosophy and gender theories to analyse the prostitute characters. Ta
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c691d541e52ec40ee2f3862edebe2807
https://doi.org/10.1007/978-3-319-64608-4_8
https://doi.org/10.1007/978-3-319-64608-4_8
Autor:
Teresa Ludden
Publikováno v:
German Life and Letters. 63:6-19
This article examines Thomas Bernhard's largely neglected short novel Ja (1978) in terms of how silences and textual lacunae function. It uses Lyotard's concept of the differend and Wittgenstein's notion of language-games to analyse the representatio
Autor:
Teresa Ludden
Publikováno v:
Women: A Cultural Review. 17:341-354
The representation of birth in contemporary German literature has been largely neglected in most commentary and criticism. A recent study analysed the dynamics of the mother/child relationship in G...
Autor:
Teresa Ludden
Publikováno v:
German Life and Letters. 59:249-265
This article uses Theodor Adorno's ideas on the role of the artwork and Walter Benjamin's philosophy of history and his concept of ‘Eingedenken’ to examine the types of memory and the modes of remembering the Holocaust in Anne Duden's novel, Das
Autor:
Teresa Ludden
Publikováno v:
German Life and Letters. 57:69-89
This essay examines Anne Duden's literary-philosophical text ‘Gegenstrebige Fugung’ in the light of Frankfurt School and feminist theories. It argues that Duden blurs the distinction between legend and myth in her writing about Vittore Carpaccio'