Zobrazeno 1 - 8
of 8
pro vyhledávání: '"Ted Motohashi"'
Publikováno v:
Multicultural Shakespeare, Vol 26, Iss 41, Pp 165-192 (2022)
Externí odkaz:
https://doaj.org/article/66f66a5180964732bfda4640f69bdf7f
Autor:
Tomoka Tsukamoto, Ted Motohashi
Publikováno v:
Critical Stages, Iss 24 (2021)
Our essay analyzes Satoshi Miyagi’s production of Révélation, written by the Cameroon-born dramatist Léonora Miano, translated into Japanese by Akihito Hirano and staged first at La Colline—Théâtre national, Paris, in August 2018, and then i
Externí odkaz:
https://doaj.org/article/5a074e2ad5b34fc7bb353268abdb9ac6
Autor:
Ted Motohashi
Publikováno v:
Critical Stages, Iss 24 (2021)
Externí odkaz:
https://doaj.org/article/8ef3e5c0940642b49f623389f1a54de4
Autor:
Ted Motohashi
Publikováno v:
Multicultural Shakespeare, Vol 14, Iss 29, Pp 43-50 (2016)
This paper tries to detect key elements in the translated performance of Shakespeare by focusing on Satoshi Miyagi’s “Mugen-Noh Othello” (literally meaning “Dreamy Illusion Noh play Othello”), first performed in Tokyo by Ku=Nauka Theatre Co
Externí odkaz:
https://doaj.org/article/826fcdf84edb411caae6c6b3f27b9533
Autor:
Ted Motohashi, Tomoka Tsukamoto
Publikováno v:
Critical Survey. 33:23-47
Shakespeare’s Othello has been staged overwhelmingly through the racial relationship between the two protagonists, Othello and Iago, at the expense of another protagonist, Desdemona, partly because of the prominence of racial and military perspecti
Autor:
Ted Motohashi
Publikováno v:
Robinson Crusoe in Asia ISBN: 9789811640506
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::dcadb17d3b46baef11d8de71743a7f86
https://doi.org/10.1007/978-981-16-4051-3_3
https://doi.org/10.1007/978-981-16-4051-3_3
Publikováno v:
Asian Interventions in Global Shakespeare ISBN: 9781003105329
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9702a538349312b8efaf9121d55dfa5e
https://doi.org/10.4324/9781003105329-1
https://doi.org/10.4324/9781003105329-1
This volume critically analyses and theorises Asian interventions in the expanding phenomenon of Global Shakespeare. It interrogates Shakespeare's ‘universality'from Asian perspectives: how this has been modified or even replaced by the ‘global b