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pro vyhledávání: '"Tanja Malycheva"'
Autor:
Tanja Malycheva
Die Werke von Valentin Serov (1865-1911) markieren den Beginn moderner russischer Malerei. Er zeigte sie bei den Secessionen in München, Berlin und Wien, in der Weltausstellung und im Salon d'Automne in Paris sowie auf der Biennale in Venedig und in
Autor:
Tanja Malycheva
Publikováno v:
Experiment. 23:55-65
Valentin Serov’s (1865-1911) nude depiction of Ida Rubinstein, created in Paris in 1910, is one of the most striking examples of how the artist processed various Eastern and Western iconographic codes and subsequently found his own unique portrait
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a52062456b2fda33e1ff5c45083ffddc
https://doi.org/10.1163/2211730x-12341300
https://doi.org/10.1163/2211730x-12341300
Autor:
Tanja Malycheva
Publikováno v:
Marianne Werefkin and the Women Artists in Her Circle
The volume traces the relationships between Marianne Werefkin and the women artists in her circle. Specifically focusing on issues of cosmopolitan culture, transcultural dialogue, gender roles, and the building of new artistic networks, it re-evaluat
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::34f0c3c8681e7283e97c7aebb1d1ba93
https://doi.org/10.1163/9789004333147_007
https://doi.org/10.1163/9789004333147_007
Autor:
Tanja Malycheva, Isabel Wünsche
Marianne Werefkin and the Women Artists in Her Circle traces the relationships between the modernist artists in Werefkin's circle, including Erma Bossi, Elisabeth Epstein, Natalia Goncharova, Elizaveta Kruglikova, Else Lasker-Schüler, Marta Liepiņa