Zobrazeno 1 - 10
of 54
pro vyhledávání: '"Tania Modleski"'
Autor:
Tania Modleski
Publikováno v:
Matrizes, Vol 10, Iss 2 (2016)
Primorosamente filmado em estilo altmaniano e baseado nas cenas dos filmes de Martin Scorsese e Quentin Tarantino, Boogie Nights – Prazer sem limites continua até hoje a ser proclamado um ultramoderno e ousado olhar sobre a chamada Idade de Ouro d
Externí odkaz:
https://doaj.org/article/c80ab37b3748483b85714dbfcb5f15d0
Autor:
Tania Modleski
Upon its first publication, Loving with a Vengeance was a groundbreaking study of women readers and their relationship to mass-market romance fiction. Feminist scholar and cultural critic Tania Modleski has revisited her widely read book, bringing to
Autor:
Tania Modleski
Publicado originalmente en 1988 y reeditado en 2016, Las mujeres que sabían demasiado es un clásico sobre la teoría del cine y la crítica feminista. Desde el estudio de siete películas icónicas de Alfred Hitchcock: Chantaje, Asesinato, Rebeca,
Autor:
Tania Modleski
Publikováno v:
New Literary History. 47:135-158
The essay examines the work of several prominent scholars of Alfred Hitchcock films and argues that the political ground staked out by queer and feminist critics of these films has become increasingly evacuated by male critics who, while often approp
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4a8d1ec6e3079e15523fb5821a120125
https://doi.org/10.1353/nlh.2016.0011
https://doi.org/10.1353/nlh.2016.0011
Autor:
Tania Modleski
Publikováno v:
Camera Obscura: Feminism, Culture, and Media Studies. 29:119-147
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d38660a2b3aa1240db688615faab53b0
https://doi.org/10.1215/02705346-2704652
https://doi.org/10.1215/02705346-2704652
Autor:
Tania Modleski
Originally published in 1988, The Women Who Knew Too Much remains a classic work in film theory and feminist criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides
Autor:
Tania Modleski
Publikováno v:
A Companion to Alfred Hitchcock
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e29bcdbaf810265d524133361a5f6bf6
https://doi.org/10.1002/9781444397321.ch9
https://doi.org/10.1002/9781444397321.ch9
Autor:
Tania Modleski
Publikováno v:
American Literary History. 22:136-158
I think it was Playboy’s posting of the 10 worst chick flicks that clinched it for me—the decision to do a project on male weepies. According to the Playboy editors, the research necessary for them to complete their task was the most excruciating
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::79f0ff12fc8b3bd652553c4c1782045e
https://doi.org/10.1093/alh/ajp051
https://doi.org/10.1093/alh/ajp051
Autor:
Tania Modleski
In a series of essays scrutinizing feminist and post-structuralists positions, Tania Modleski examines'the myth of postfeminism'and its operation in popular culture, especially popular film and cultural studies. (First published in 1991.)
Autor:
Tania Modleski
Publikováno v:
Cinema Journal. 47:101-105
1. The best overview of this direct influence remains Maxim Simcovitch's "The Impact of Griffith's Birth of a Nation on the Modem Ku Klux Klan," which was originally published in the first issue of the Journal of Popular Film and Television (1, no. 1
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a50c28b0bda694b092844992edaf3c42
https://doi.org/10.1353/cj.2007.0056
https://doi.org/10.1353/cj.2007.0056