Zobrazeno 1 - 10
of 21
pro vyhledávání: '"Taïna Tuhkunen"'
Autor:
Taïna Tuhkunen
Publikováno v:
Transatlantica, Vol 1 (2020)
In the 1976 TV parody of Gone With the Wind (1939), Carol Burnett descends the grand staircase of a devastated Southern mansion in a green dress made out of antebellum curtains, complete with a rod that blows her shoulders out of proportion. Rather t
Externí odkaz:
https://doaj.org/article/85a5383a7855484cab1a4a5c16261ca0
Autor:
Taïna TUHKUNEN
Publikováno v:
E-REA, Vol 14 (2016)
In several Hollywood movies on the antebellum South, the city of New Orleans pivots upon an unruly woman, ill-adapted to the codes and customs of the country, to serve the cinematographic portrayal of the 19th century Louisiana city, viewed as a topo
Externí odkaz:
https://doaj.org/article/d7395e035dc4443a8f794041df4cb578
Autor:
Taïna Tuhkunen
Publikováno v:
Transatlantica, Vol 1 (2012)
This study explores the representation of the American South in the film adaptations of five plays by the Mississippi-born playwright, Tennessee Williams: A Streetcar Named Desire (Elia Kazan, 1951), Baby Doll (Elia Kazan, 1956), Cat on a Hot Tin Roo
Externí odkaz:
https://doaj.org/article/53ef0be429304e6d89865cdfdc069f7d
Autor:
Delphine Letort, Taïna Tuhkunen
Publikováno v:
Revue LISA, Vol 14
Externí odkaz:
https://doaj.org/article/6d96f3e50f8142d083a5015138197db9
Autor:
Taïna Tuhkunen
Publikováno v:
Revue LISA, Vol 16
Externí odkaz:
https://doaj.org/article/c30299c0b979425289f1fb25ad75920b
Autor:
Taïna Tuhkunen
Publikováno v:
Transatlantica.
In the 1976 TV parody of Gone With the Wind (1939), Carol Burnett descends the grand staircase of a devastated Southern mansion in a green dress made out of antebellum curtains, complete with a rod that blows her shoulders out of proportion. Rather t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::668268cc726bdeca0e99adb96e7cc638
https://doi.org/10.4000/transatlantica.14233
https://doi.org/10.4000/transatlantica.14233
Autor:
Taïna Tuhkunen
Publikováno v:
Revue LISA / LISA e-journal.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8ab8204a7f1387fccaae4fa817adb540
https://doi.org/10.4000/lisa.9208
https://doi.org/10.4000/lisa.9208
Autor:
Taïna Tuhkunen
Publikováno v:
Voix de Femmes dans le Monde : Au prisme du genre dans la littérature et les arts
Voix de Femmes dans le Monde : Au prisme du genre dans la littérature et les arts, 2018
Voix de Femmes dans le Monde : Au prisme du genre dans la littérature et les arts, 2018
Si l’inscription de l’œuvre de Sylvia Plath sous l’exclusion, l’émergence et l’engagement souligne à quel point le troisième vocable peine à se dégager des deux premiers, cela n’exclut pas les effets parallèles de circulation et cr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::4690fba9d2755b1b4dcba90ae8c17256
https://doi.org/10.4000/books.pur.87405
https://doi.org/10.4000/books.pur.87405
Autor:
Taïna Tuhkunen
Publikováno v:
Women Activists and Civil Rights Leaders in Auto/Biographical Literature and Films
Delphine Letort, Benaouda Lebdai. Women Activists and Civil Rights Leaders in Auto/Biographical Literature and Films, Palgrave Macmillan, 2018, ISBN 978-3-319-77081-9
Women Activists and Civil Rights Leaders in Auto/Biographical Literature and Films ISBN: 9783319770802
Delphine Letort, Benaouda Lebdai. Women Activists and Civil Rights Leaders in Auto/Biographical Literature and Films, Palgrave Macmillan, 2018, ISBN 978-3-319-77081-9
Women Activists and Civil Rights Leaders in Auto/Biographical Literature and Films ISBN: 9783319770802
Through an examination of the theoretical debates inspired by the biopic, a genre whose popularity discouraged serious critical endeavors, this article retraces the hagiographic trend of the genre to “Jesus movies” whose symbolical use of Christi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::79fc1f677a6ddb20ec2194ffc4981ea4
https://hal.univ-angers.fr/hal-02488125
https://hal.univ-angers.fr/hal-02488125
Autor:
Taïna Tuhkunen
In several Hollywood movies on the antebellum South, the city of New Orleans pivots upon an unruly woman, ill-adapted to the codes and customs of the country, to serve the cinematographic portrayal of the 19th century Louisiana city, viewed as a topo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::701616616b8d1bdd9a9a02ee97787d29
http://erea.revues.org/5343
http://erea.revues.org/5343