Zobrazeno 1 - 10
of 21
pro vyhledávání: '"Sylvain Louet"'
Autor:
Sylvain Louet
Publikováno v:
Recherches Germaniques, Vol 50, Pp 71-88 (2020)
The article considers a singular film, Von morgens bis mitternachts, directed by Karl Heinz Martin in 1920. This fiction is a major work of the German expressionist current because of the originality of its visual inventions. The faces are painted an
Externí odkaz:
https://doaj.org/article/fb739e2854e94a889fa59301af87f9a0
Autor:
Sylvain Louet
Publikováno v:
Captures, Vol 7, Iss 1 (2022)
Comment, à la fin du XXe siècle, le road movie de cavale réinvente-t-il le héros populaire états-unien à travers la figure du seuil? Qu’une fiction fasse du seuil une séparation, une ouverture ou un espace tiers, elle interroge ce genre film
Externí odkaz:
https://doaj.org/article/529fc390b5ed4e8788a246ece7ccd971
Autor:
Sylvain Louet
Publikováno v:
Images Re-Vues, Vol 18 (2021)
Some fictions that portray precariousness deal with the moral limits at the heart of the social division in order to evaluate both the character of the poor and our own faculties of judging him. However precariousness on the screen also consolidates
Externí odkaz:
https://doaj.org/article/8b15d24fa3b340dbb1962c8f8fe6a23d
Le tombeau d’un invisible : Monsieur M, 1968Une cartographie de l’histoire et du quotidien ordinaire
Autor:
Sylvain Louet
Publikováno v:
Mise au Point, Vol 14 (2021)
Monsieur M, 1968 (France, 2011), directed by Laurent Cibien and Isabelle Berteletti, is a documentary that originated from an agenda, dated 1968, found in a house after the death of its owner. Day after day, M, 41, an old boy living with his parents,
Externí odkaz:
https://doaj.org/article/d2fad94e02164755ae4168ab988e1ba1
Autor:
Sylvain Louet
Publikováno v:
Bollettino della Società Geografica Italiana, Vol 1, Iss 2 (2019)
In films, the night transforms the landscapes, upsets our perception and entails a hybridization of the represented worlds. The night reveals a composite material. The frequent characteristics of these latter explain why the fictions develop an imagi
Externí odkaz:
https://doaj.org/article/b700a2b9ad0f4a5ea6cefb8fd9dd6fe4
Autor:
Sylvain Louet
Publikováno v:
Images Re-Vues, Vol 12 (2015)
How represent, without comment or dialogue, oblivion of a people? In Few of us, a Lithuanian film fiction, Sharunas Bartas stages some members of the Tofalars community, living in Siberia. This people consists of about seven hundred people, formerly
Externí odkaz:
https://doaj.org/article/871548fe3acf4f3cafcf4d1095494eef
Autor:
Sylvain Louet
Publikováno v:
Amnis, Vol 18 (2010)
King and Country (Losey, 1964) recounts how a man’s ambivalent attitude was reduced to that of a courageous combatant who had been convicted of desertion in the First World War. Thus law and justice were used by the British government in order to e
Externí odkaz:
https://doaj.org/article/d59fa6ca9491450fae0eeb61baf78e75
Autor:
Sylvain Louet
Certains films, en composant un tribunal de la fiction, mettent en jugement leurs personnages. Dès lors, si le sens moral caractérise les contes, qu’en est-il dans une parodie cinématographique du genre ? L’examen de Barbe-bleue (Christian-Jaq
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::1dd326d4708aee36ddde35d3503abc19
http://journals.openedition.org/feeries/4393
http://journals.openedition.org/feeries/4393
Publikováno v:
Les genres littéraires, les genres cinématographiques et leurs émotions.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6303a0e09ae5df27fe1018dd29d2e1d4
https://doi.org/10.58282/colloques.4088
https://doi.org/10.58282/colloques.4088