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pro vyhledávání: '"Susan L Fischer"'
Although scholars often depict early modern Spanish women as victims, history and fiction of the period are filled with examples of women who defended their God-given right to make their own decisions and to define their own identities. The essays in
Autor:
Susan L. Fischer
Publikováno v:
Gestalt Review. 27:90-97
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::de7e2445bbdd1ead3de327357d5bb502
https://doi.org/10.5325/gestaltreview.27.1.0090
https://doi.org/10.5325/gestaltreview.27.1.0090
Autor:
Susan L. Fischer
Publikováno v:
Comedia Performance. 20:173-185
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::67c12090fe2b2d80723165a2b787d941
https://doi.org/10.5325/comeperf.20.1.0173
https://doi.org/10.5325/comeperf.20.1.0173
Autor:
Susan L. Fischer
Publikováno v:
Cahiers Élisabéthains: A Journal of English Renaissance Studies. 109:85-97
The thirty-minute experiment titled Dream represented a collaborative effort between the Royal Shakespeare Company and Audience of the Future. It fused live performance with motion capture technology, 3D graphics, and interactive gaming techniques, a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2de9799ad16a319985a372a204118fd2
https://doi.org/10.1177/01847678221122809
https://doi.org/10.1177/01847678221122809
Autor:
Joseph Melnick, Susan L. Fischer
Publikováno v:
Gestalt Review. 26:106-109
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::aebf4471cd01ccf3f6f8bc6750f2dbe4
https://doi.org/10.5325/gestaltreview.26.1.0106
https://doi.org/10.5325/gestaltreview.26.1.0106
Autor:
Susan L. Fischer
Publikováno v:
Anuario Lope de Vega: Texto, Literatura, Cultura, Vol 24 (2018)
Reseña de Laura L. Vidler, Performance Reconstruction and Spanish Golden Age Drama. Reviving and Revising the Comedia, Palgrave Macmillan, New York and Basingstoke, Hampshire, UK, 2014, xvi + 187 pp. ISBN: 9781137439758.
Externí odkaz:
https://doaj.org/article/b66c4c440cd248db8532a8bb086165c7
Autor:
Susan L. Fischer
Publikováno v:
Cahiers Élisabéthains: A Journal of English Renaissance Studies. 107:39-62
If Macbeth is Shakespeare's play of equivocation and doubleness, Rupert Goold's and Gregory Doran's productions were informed by like concerns, even having double performance lives on stage and on film. Doran's production followed along the lines of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3ae4210b1b5ee4bbe0f9648bc7457f62
https://doi.org/10.1177/01847678211062926
https://doi.org/10.1177/01847678211062926
Autor:
Susan L. Fischer
Publikováno v:
Shakespeare. 18:139-155
If, at first, Shylock’s Jewishness in The Merchant of Venice seems to brand him as a villain, his character is more nuanced and unsettling than any cultural stereotype. Shylock cannot simply be con...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6e80170f285fea640736d24078b95beb
https://doi.org/10.1080/17450918.2021.1979089
https://doi.org/10.1080/17450918.2021.1979089
Autor:
Susan L. Fischer
Publikováno v:
Comedia Performance. 18:7-15
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::00a6a22953629bd3cc8a8bb4156647b4
https://doi.org/10.5325/comeperf.18.1.0007
https://doi.org/10.5325/comeperf.18.1.0007
Autor:
Susan L. Fischer
Publikováno v:
Comedia Performance. 18:22-47
This article reexamines ways in which Isabel I of Castile has been (re)performed in history and in Lope de Vega’s play, El niño inocente de la Guardia. Given the perception of piety, incorruptibility, and zeal that she contrived, confirmed by serv
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7e8ab583da72efd2566b8114c21aa079
https://doi.org/10.5325/comeperf.18.1.0022
https://doi.org/10.5325/comeperf.18.1.0022