Zobrazeno 1 - 10
of 13
pro vyhledávání: '"Sune Bechmann Pedersen"'
Publikováno v:
The Oxford Handbook of the History of Tourism and Travel ISBN: 9780190889555
The introduction of paid holidays during the interwar years democratized travel and laid the foundation for modern mass tourism. In European democracies, the right to paid leave found supporters from across the political spectrum who viewed it a mean
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::60ad0ca00084a13f3054dea3090c4d20
https://doi.org/10.1093/oxfordhb/9780190889555.013.19
https://doi.org/10.1093/oxfordhb/9780190889555.013.19
Autor:
Sune Bechmann Pedersen
Publikováno v:
European Review. 28:389-402
Catchy slogans about tourism’s peace-promoting qualities abound – ‘passport to peace’, ‘a vital force for peace’ and ‘the peace industry’, to name but a few. Yet, despite the critical scrutiny of the peace–tourism nexus in recent de
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3502f51de07db96a8de906e6314de9ad
https://doi.org/10.1017/s1062798719000516
https://doi.org/10.1017/s1062798719000516
Autor:
Sune Bechmann Pedersen
Publikováno v:
Journal of Tourism History. 12:321-323
The lofty aim of this book, repeated several times on the opening pages, is to ‘examine the relationships between heritage tourism and notions of modernity, identity building and sustainable develo...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::48e3a4463f8f5fa65d435c8cf6c2f129
https://doi.org/10.1080/1755182x.2020.1846888
https://doi.org/10.1080/1755182x.2020.1846888
Publikováno v:
Media History. 26:75-90
This article analyses the transnational production processes of foreign correspondence in the Cold War. It examines the double role of foreign correspondents as reporters and Cold War political age...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::865170791c52c628e3e061532712fbf3
https://doi.org/10.1080/13688804.2019.1644158
https://doi.org/10.1080/13688804.2019.1644158
Contemporary media history is a rapidly growing field that extends far beyond traditional studies of technology or institutions such as radio, film, and television. This volume expands the scope further still to analyze ephemeral, mundane phenomena l
Autor:
Sune Bechmann Pedersen
Publikováno v:
Journal of Tourism History. 10:130-145
Millions of Westerners went on holiday behind the Iron Curtain during the Cold War. This article considers the place of Eastern Europe in the international travel industry through the prism of Folkturist, a travel agency owned by the Communist Party
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b63b60683305f58aa9f6ec02aada62dd
https://doi.org/10.1080/1755182x.2018.1469679
https://doi.org/10.1080/1755182x.2018.1469679
Autor:
C. Noack, Sune Bechmann Pedersen
Focusing on Western tourism behind the Iron Curtain, this chapter introduces the main research questions addressed in the volume: firstly, how and why Eastern Europe became a tourist destination for citizens of the West; secondly, what impact this ha
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::65d81b7caed9dbf2efa477b42f915812
https://doi.org/10.4324/9780429201127-1
https://doi.org/10.4324/9780429201127-1
Autor:
Sune Bechmann Pedersen
Publikováno v:
Kultur-und Sozialgeschichte Osteuropas / Cultural and Social History of Eastern Europe; 12, pp 227-249 (2019)
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::54a320ddc7bdb5cfb4b9cdb62bad43d4
https://lup.lub.lu.se/record/6fad776a-a885-4c07-874b-c61f7267f800
https://lup.lub.lu.se/record/6fad776a-a885-4c07-874b-c61f7267f800
The Iron Curtain was not an impenetrable divide, and contacts between East and West took place regularly and on various levels throughout the Cold War. This book explores how the European tourist industry transcended the ideological fault lines and t
Autor:
Sune Bechmann Pedersen
Publikováno v:
East Central Europe. 41:254-276
This article is a diachronic study of the fall of the Berlin Wall as it has been represented in German fiction films from 1989 until 2010. The focus is on the formal features of the inclusion of the event in filmic narratives and on the reactions by
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3b24ab3a61657edfe06e618d34e5ee47
https://doi.org/10.1163/18763308-04103007
https://doi.org/10.1163/18763308-04103007