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pro vyhledávání: '"Streffen, Isabella"'
This research deals with specific aspects of the relationship between artistic and military practices through military vision and visioning technologies, and explores these both within and through a fine art practice. In particular, it examines their
Externí odkaz:
http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.618164
Autor:
Streffen, Isabella
How is the new impact agenda a particularly valuable opportunity for practice led ECRs whose research is frequently situated and experienced outside traditional academia? What might be the potential complications? How might it structure research desi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::536f1ef0a8a486e22bd7c1b29df473f8
https://doi.org/10.4324/9780203710104-5
https://doi.org/10.4324/9780203710104-5
This chapter presents And Or, an international digital research project reimagining the relationship between art, interpretation, exhibition, and theory. An interdisciplinary collective, we have opted to found a collaborative space rather than remain
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_________5::5143b4f1fbb87cab5f3e804d92ee15f1
Book chapter developed from conference paper given at College Arts Association annual conference in Chicago, 2014. McSherry, Streffen and Archino created "&/or" as a digital experience encouraging a reconsideration of how we reconcile the conventiona
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______909::65427b01cf0105481550e98ab2ca8f50
https://dora.dmu.ac.uk/handle/2086/18742
https://dora.dmu.ac.uk/handle/2086/18742
Autor:
Streffen, Isabella
Show Me The Money, the image of finance 1700 to the present (2014-16) was an AHRC/Arts Council England funded project led by PI Dr Peter Knight (University of Manchester) comprising four exhibitions and this book published by Manchester University Pr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______909::886672eceb91536945e9057982a8b76e
https://dora.dmu.ac.uk/handle/2086/18740
https://dora.dmu.ac.uk/handle/2086/18740
Autor:
Hollinshead, Richard, Campbell, Cath, Jeans Houghton, Ben, Ray, Jo, Streffen, Isabella, Weileder, Wolfgang, Priest, Iris, Wells, Rachel, Vincentelli, Alessandro, Robinson, Alistair, Hearn, Matthew, Eisenbach, Ronit, Grit & Pearl
5x5, Washington DC’s inaugural public art festival, was conceived as a flagship biennial in which five curators would each be invited to curate new site-specific artworks by five artists – leading to the simultaneous installation of twenty-five a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=core_ac_uk__::a9735ad0168337082ca1f373ed8ea882
http://nectar.northampton.ac.uk/6075/32/Hollinshead20126075.pdf
http://nectar.northampton.ac.uk/6075/32/Hollinshead20126075.pdf