Zobrazeno 1 - 10
of 19
pro vyhledávání: '"Steve Fore"'
Autor:
Louis Black, Steve Fore
Publikováno v:
CinemaTexas Notes
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8a6baa71df169f4b39a90a25a2197074
https://doi.org/10.7560/315439-017
https://doi.org/10.7560/315439-017
Autor:
Louis Black, Steve Fore
Publikováno v:
CinemaTexas Notes
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::df977329e79c8d138d8d167572da8ac8
https://doi.org/10.7560/315439-028
https://doi.org/10.7560/315439-028
Autor:
Steve Fore
Publikováno v:
CinemaTexas Notes
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3b16d08bf9621f1097459f31a36002d1
https://doi.org/10.7560/315439-032
https://doi.org/10.7560/315439-032
Autor:
Louis Black, Steve Fore
Publikováno v:
CinemaTexas Notes
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::344aea9f07043499353bb03d644e46da
https://doi.org/10.7560/315439-039
https://doi.org/10.7560/315439-039
Autor:
Steve Fore
Publikováno v:
CinemaTexas Notes
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9e1729afbf22ce1904a9bb1a7fe32006
https://doi.org/10.7560/315439-033
https://doi.org/10.7560/315439-033
Autor:
Steve Fore
Publikováno v:
Transnational Chinese Cinemas ISBN: 9780824865290
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bb0b49b35de779a33780be40429b619d
https://doi.org/10.1515/9780824865290-012
https://doi.org/10.1515/9780824865290-012
Autor:
Steve Fore
Publikováno v:
Animation. 6:277-292
In this article, the author discusses the animated documentary in relation to the use of staged reenactments in works that are generally understood as documentaries. His conceptual foundation draws especially on recent work by Bill Nichols on documen
Autor:
Steve Fore
Publikováno v:
The Chinese Historical Review. 15:199-202
Autor:
Steve Fore
Publikováno v:
Animation. 2:111-127
In this article, the author considers the experimental animations of Jeff Scher in relation to the current obsessive quest for a total `reality effect' in much contemporary commercial computer animation. While Scher does not use a computer to create