Zobrazeno 1 - 10
of 45
pro vyhledávání: '"Stephen Deutsch"'
Autor:
Stephen Deutsch
Publikováno v:
Proceedings of the Twentieth Annual Conference of the Cognitive Science Society ISBN: 9781315782416
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a34a1e24dd0fdd5bf533a476a8a6bde5
https://doi.org/10.4324/9781315782416-62
https://doi.org/10.4324/9781315782416-62
Autor:
Stephen Deutsch
Publikováno v:
The New Soundtrack. 8:73-77
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6c28656a544580df31bd646f6ef11a6e
https://doi.org/10.3366/sound.2018.0118
https://doi.org/10.3366/sound.2018.0118
Autor:
Stephen Deutsch, Richard Pew
Publikováno v:
Proceedings of the Twenty-Fourth Annual Conference of the Cognitive Science Society ISBN: 9781315782379
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::acf940a0f5b154b830656781314608a6
https://doi.org/10.4324/9781315782379-84
https://doi.org/10.4324/9781315782379-84
Autor:
Stephen Deutsch
Dark haired, slight, with deep-set haunted eyes, Herschel Grynszpan is an undocumented Jewish alien living in Paris. He receives a postcard from his parents – recently bundled from their Hanover flat, put on a train and dumped, with 12,000 others o
Autor:
Stephen Deutsch, Larry Sider
Publikováno v:
The New Soundtrack. 5:167-170
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4460fc808af935e806f0abe8e49d8e41
https://doi.org/10.3366/sound.2015.0077
https://doi.org/10.3366/sound.2015.0077
Autor:
Nick Wright, Stephen Deutsch
Publikováno v:
The New Soundtrack. 2:113-126
This practice-based article, in two sections, is an account of and a reflection on the making of the natural history film, Wild South. It discusses the shooting of the film and the subsequent collaboration between filmmaker Nick Wright and soundtrack
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2b629915d5475fb54983a898b19b492f
https://doi.org/10.3366/sound.2012.0033
https://doi.org/10.3366/sound.2012.0033
Autor:
Stephen Deutsch
Publikováno v:
The New Soundtrack. 1:43-56
In the more than 30 years since computer games have become part of our culture's furniture, the goal for most users and manufacturers has been to create an immersive state in the player. Sound has played a part in this process throughout, and with th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ba92852a5709e42e58358fe85290974e
https://doi.org/10.3366/sound.2011.0005
https://doi.org/10.3366/sound.2011.0005
Autor:
Stephen Deutsch
Publikováno v:
The Soundtrack. 3:53-66
Since its release in 1960, Alfred Hitchcock’s Psycho has entered the consciousness of our culture as have few other films. Its striking imagery, combined with its universally recognised score, has prompted a wealth of scholarly output. New understa
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::610c984104def5e3fabced6fa4a50c79
https://doi.org/10.1386/st.3.1.53_1
https://doi.org/10.1386/st.3.1.53_1
Autor:
Stephen Deutsch
Publikováno v:
The Soundtrack. 2:153-157
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::43aaa5552680552f170c071f8458a996
https://doi.org/10.1386/st.2.2.153/4
https://doi.org/10.1386/st.2.2.153/4
Autor:
Stephen Deutsch
Publikováno v:
The Soundtrack. 2:23-38
The use of music in films has become almost ubiquitous in both drama and documentary. Music is used regularly in cinema, broadcasting and more recently, in interactive media. Yet audiences often criticise makers for its overuse, especially in actuali
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::4b5ce61ece30b5e6952915f697bb5d7f
https://doi.org/10.1386/st.2.1.23_1
https://doi.org/10.1386/st.2.1.23_1