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Publikováno v:
Sound and Affect ISBN: 9780226758015
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::60c2d2424cae93b4a9333c675ed4f928
https://doi.org/10.7208/chicago/9780226758152.003.0001
https://doi.org/10.7208/chicago/9780226758152.003.0001
Autor:
Stephen Decatur Smith
Publikováno v:
The Oxford Handbook of Western Music and Philosophy ISBN: 0199367310
This essay explores ways in which a notion of “weak nature” drawn from certain strains of recent philosophy (especially works by Adrian Johnston and Leonard Lawlor) might be mobilized in critical engagements with contemporary and historical writi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0c9287a253dc6e699cf7d53b50e30578
https://doi.org/10.1093/oxfordhb/9780199367313.013.40
https://doi.org/10.1093/oxfordhb/9780199367313.013.40
There is no place on earth that does not echo with the near or distant sounds of human activity. More than half of humanity lives in cities, meaning the daily soundtrack of our lives is filled with sound—whether it be sonorous, harmonious, melodic,
Autor:
Elaine Kelly, Sherry Lee, John Deathridge, Stephen Decatur Smith, Beth M. Snyder, Benjamin M. Korstvedt, Michael Gallope
Publikováno v:
Journal of the American Musicological Society. 70:819-855
Introduction {#article-title-2} By comparison with most philosophers Ernst Bloch wrote an unusual number of words about music.[1][1] Given the bleak period before and during the Second World War in which he came to maturity as a thinker, he also comm
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d39b606ba54ea7ae08aa7ac7c208b7f8
https://doi.org/10.1525/jams.2017.70.3.819
https://doi.org/10.1525/jams.2017.70.3.819
Autor:
Stephen Decatur Smith
Publikováno v:
The Opera Quarterly. 29:335-341
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8a4e51b7a5ea13100a57a6baa5f04154
https://doi.org/10.1093/oq/kbt036
https://doi.org/10.1093/oq/kbt036
Autor:
Stephen Decatur Smith
Publikováno v:
Contemporary Music Review. 31:389-409
This essay studies the relationship between Adorno's philosophy of music and his critique of phenomenology. It argues that the understanding of historical experience that Adorno develops in his reading of phenomenology casts light on his understandin
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::96ff600b8566f882fa4cb56bdffedc7d
https://doi.org/10.1080/07494467.2012.759417
https://doi.org/10.1080/07494467.2012.759417
Autor:
Stephen Decatur Smith
Publikováno v:
Journal of Music Theory. 54:121-140
This article offers a comparative reading of Theodor Adorno's and Stanley Cavell's philosophies of music. It does not attempt a survey or summary of their respective approaches but rather focuses on one moment in a text by Cavell—namely, his readin
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::dbae55def7e1952fb79aaead6c74aa3f
https://doi.org/10.1215/00222909-2010-015
https://doi.org/10.1215/00222909-2010-015
Publikováno v:
Opera Quarterly. Summer-Autumn2013, Vol. 29 Issue 3/4, pNP-NP. 1p.