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pro vyhledávání: '"Stephanie Stein Crease"'
Autor:
Stephanie Stein Crease
Publikováno v:
Rhythm Man ISBN: 0190055693
In 1938 though spring of 1939, Webb’s band was on the road almost constantly, on one-nighters through the South and Midwest. In New York in August 1938, Webb’s band debuted at the Paramount Theater, a breakthrough engagement even for top Black ba
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b38f01d581fc42a996008fc105f52ed4
https://doi.org/10.1093/oso/9780190055691.003.0019
https://doi.org/10.1093/oso/9780190055691.003.0019
Autor:
Stephanie Stein Crease
Publikováno v:
Rhythm Man ISBN: 0190055693
Duke Ellington helped Webb get his first job as a bandleader, at a speakeasy in midtown, which led to other similar short-term jobs, as many of these clubs were raided and closed down. In February 1927, Chick Webb and His Harlem Stompers played at th
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https://explore.openaire.eu/search/publication?articleId=doi_________::059114cbe9ff963b13d638617f03954d
https://doi.org/10.1093/oso/9780190055691.003.0005
https://doi.org/10.1093/oso/9780190055691.003.0005
Autor:
Stephanie Stein Crease
Publikováno v:
Rhythm Man ISBN: 0190055693
Thanks largely to Eubie Blake and his and Noble Sissle’s 1921 Broadway hit musical Shuffle Along, Baltimore musicians had a good reputation in New York. Chick Webb and his best friend, guitarist Johnny Trueheart, moved there in 1925 and settled in
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https://explore.openaire.eu/search/publication?articleId=doi_________::3d18fad24394005b11389524c49fb6a4
https://doi.org/10.1093/oso/9780190055691.003.0004
https://doi.org/10.1093/oso/9780190055691.003.0004
Autor:
Stephanie Stein Crease
Publikováno v:
Rhythm Man ISBN: 0190055693
The rich diversity of Baltimore’s sound world—which included church music, brass bands, parade bands, ragtime, and early jazz groups—was a training ground for Webb. Baltimore’s ragtime and early jazz ensembles played music similar to the soun
Externí odkaz:
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https://doi.org/10.1093/oso/9780190055691.003.0003
https://doi.org/10.1093/oso/9780190055691.003.0003
Autor:
Stephanie Stein Crease
Publikováno v:
Rhythm Man ISBN: 0190055693
In 1937–38, Webb’s band got commercially successful with Ella Fitzgerald singing popular songs. Helen Oakley wanted to shock Webb into featuring more jazz-oriented swing numbers, like he had previously. Benny Goodman’s popularity proved that th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e08c3fcc0b9b81e8751235b7be91993a
https://doi.org/10.1093/oso/9780190055691.003.0018
https://doi.org/10.1093/oso/9780190055691.003.0018
Autor:
Stephanie Stein Crease
Publikováno v:
Rhythm Man ISBN: 0190055693
In early 1937, Ella Fitzgerald was getting acclaimed by entertainment reporters and the jazz press, Black and white; in November 1937 she was voted the Number One Female Vocalist in readers’ polls. Helen Oakley moved to New York to work for Duke El
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https://doi.org/10.1093/oso/9780190055691.003.0017
https://doi.org/10.1093/oso/9780190055691.003.0017
Autor:
Stephanie Stein Crease
Publikováno v:
Rhythm Man ISBN: 0190055693
In 1932, Webb’s band was heard on WMCA four times a week, and played for “breakfast dances” at the Savoy and the Alhambra Ballroom. That summer, it toured white resorts and dance halls along the Susquehanna River in Pennsylvania. In late fall,
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https://doi.org/10.1093/oso/9780190055691.003.0010
https://doi.org/10.1093/oso/9780190055691.003.0010
Autor:
Stephanie Stein Crease
Publikováno v:
Rhythm Man ISBN: 0190055693
This chapter focuses on Webb as an innovative drummer, his custom-made drum sets, musicians and disability, and his bandleading skills. On the bandstand at the Savoy Ballroom, Webb sat in the middle of the band’s front line. Nothing about his drumm
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https://doi.org/10.1093/oso/9780190055691.003.0013
https://doi.org/10.1093/oso/9780190055691.003.0013
Autor:
Stephanie Stein Crease
Publikováno v:
Rhythm Man ISBN: 0190055693
When Ella Fitzgerald entered Webb’s world, he had plenty of airtime on nationwide radio and live Savoy broadcasts, and she was soon heard singing on the air. Decca producer Jack Kapp scheduled the band’s second recording date for June 12, 1935, a
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https://doi.org/10.1093/oso/9780190055691.003.0015
https://doi.org/10.1093/oso/9780190055691.003.0015
Autor:
Stephanie Stein Crease
Publikováno v:
Rhythm Man ISBN: 0190055693
In March 1928 Webb’s band, billed as Chick Webb and His Roseland Orchestra, made its debut at Harlem’s Lafayette Theater, considered “American’s Leading Colored Theater” from its opening in 1912 through the early 1930s. The Lafayette featur
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https://explore.openaire.eu/search/publication?articleId=doi_________::26accccd578cb40cb98eca5b28a28f11
https://doi.org/10.1093/oso/9780190055691.003.0007
https://doi.org/10.1093/oso/9780190055691.003.0007