Zobrazeno 1 - 6
of 6
pro vyhledávání: '"Stella Paschalidou"'
Autor:
Stella Paschalidou
Publikováno v:
Accelerando: BJMD, Vol 9, Iss 9 (2024)
Over the years, multiple taxonomies have emerged to categorize the diverse range of movements, particularly those linked to music, with a wealth of literature in music performance exploring this topic. Despite extensive discussions, conflicting opini
Externí odkaz:
https://doaj.org/article/cd35a72d54e94cc69e5e6a5798aad231
Autor:
Stella Paschalidou
Publikováno v:
Multimodal Technologies and Interaction, Vol 8, Iss 5, p 37 (2024)
With the recent advent of research focusing on the body’s significance in music, the integration of physiological sensors in the context of empirical methodologies for music has also gained momentum. Given the recognition of covert muscular activit
Externí odkaz:
https://doaj.org/article/02f7249f2fcb4642a3265fa1f034fe06
Publikováno v:
Acoustics, Vol 5, Iss 1, Pp 165-176 (2023)
The transient acoustic dynamics of a splash cymbal are investigated via the Finite Element Method-Boundary Element Method. Real three-dimensional motion data recorded from the interaction of drummer–drumstick–cymbal provide the initial and the lo
Externí odkaz:
https://doaj.org/article/2f710190a69744daba959e5e1ad51b14
Autor:
Stella Paschalidou
Publikováno v:
Education Sciences, Vol 14, Iss 2, p 203 (2024)
Embodiment lies at the core of music cognition, prompting recent pedagogical shifts towards a multi-sensory, whole-body approach. However, the education of oral music genres that rely exclusively on direct teacher–disciple transmission through live
Externí odkaz:
https://doaj.org/article/4a1929f38b304572ac8a18d83432fb85
Autor:
Stella Paschalidou
Publikováno v:
Wearable Technologies, Vol 3 (2022)
In electronic musical instruments (EMIs), the concept of “sound sculpting” was proposed by Mulder, in which imaginary objects are manually sculpted to produce sounds, although promising has had some limitations: driven by pure intuition, only the
Externí odkaz:
https://doaj.org/article/52f1a00929004a6ba3916640e3b045f5
Publikováno v:
MOCO
This paper reports on the exploration of the relationships between gesture and sound in the context of practicing 'sound sculpting' [4] in Hindustani (Dhrupad) vocal improvisation. In this practice, singers of the classical Indian music tradition oft
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::57541125ac7028792044b87944cdfd29
https://doi.org/10.1145/2948910.2948914
https://doi.org/10.1145/2948910.2948914