Zobrazeno 1 - 10
of 17
pro vyhledávání: '"Steffen Hven"'
Autor:
Steffen Hven
Publikováno v:
Ambiances, Vol 10 (2024)
Externí odkaz:
https://doaj.org/article/c90d1a9ec83543b2877383a8bae8663e
Autor:
Steffen Hven
Publikováno v:
NECSUS, Vol 8, Iss 1, Pp 105-123 (2019)
This article explores the potential value of affective niche theory for understanding how media-induced emotions, especially those related to the cinema, extend beyond the body of the human organism and are thus to varying degrees scaffolded by envir
Externí odkaz:
https://doaj.org/article/0c89e660b96e4ed785162474d80d141a
Autor:
Steffen Hven
Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies-including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context w
Autor:
Steffen Hven
This book offers a substantial reconfiguration of the textual roots of modern film narratology. By giving sustained attention to cinema’s material-affective modes of communicating its stories and embedding its audience in atmospheric, kinetic, and
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7853d0104c29ab7cdef5ac479dfe25de
https://doi.org/10.1093/oso/9780197555101.001.0001
https://doi.org/10.1093/oso/9780197555101.001.0001
Autor:
Steffen Hven
This chapter argues that due to its privileging of narrative as a representational construct, narratology has failed to adequately address how narratives are experienced. This chapter brings together what might just be the two most antagonized dimens
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2e774aca2666922d6050055a5312cb6c
https://doi.org/10.1093/oso/9780197555101.003.0004
https://doi.org/10.1093/oso/9780197555101.003.0004
Autor:
Steffen Hven
One of the most pressing problems of textualism is the “noise aesthetics” of the increasingly complex acoustic ecologies of modern cinema. In order to develop a narrative theoretical framework capable of integrating “noise”—understood as
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a7bbfc6822b967711154ea1f5a628b26
https://doi.org/10.1093/oso/9780197555101.003.0006
https://doi.org/10.1093/oso/9780197555101.003.0006
Autor:
Steffen Hven
To further advance the notion of the diegesis-as-environment and its material-affective nature, this chapter advocates for the atmospheric in cinematic perception. Drawing primarily upon the contemporary interdisciplinary surge of “atmosphere resea
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1d96ea2bebcf3bcbcdfa49b461282f53
https://doi.org/10.1093/oso/9780197555101.003.0003
https://doi.org/10.1093/oso/9780197555101.003.0003
Autor:
Steffen Hven
Rather than being confined to representing the real, cinema produces it by altering and modulating our perceptions, affects, cognitions, and experiences. Cinema comes alive though our visceral and cerebral investments into the flow of its movements.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b9d4e068e800a799a5a3d03b8ca73a6c
https://doi.org/10.1093/oso/9780197555101.003.0007
https://doi.org/10.1093/oso/9780197555101.003.0007
Autor:
Steffen Hven
The concept of diegesis is essential to film studies and narratology. The first part of the chapter examines the historical trajectory to which the present concept of the diegesis owes its appropriation in film semiology, structuralist narratology, f
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::98a24e122531bc7f63728874fc495e2c
https://doi.org/10.1093/oso/9780197555101.003.0002
https://doi.org/10.1093/oso/9780197555101.003.0002