Zobrazeno 1 - 10
of 14
pro vyhledávání: '"Stefano Brilli"'
Autor:
Laura Gemini, Stefano Brilli
Publikováno v:
Connessioni remote, Vol 3, Iss 3 (2021)
Il presente articolo introduce il terzo numero della rivista dal titolo Gradienti di liveness. Lo shaping socio-tecnico delle arti performative tra online e offline. Dopo aver inquadrato il tema della liveness all’interno del processo di mediatizza
Externí odkaz:
https://doaj.org/article/d6810057f35c4553b7913d45ca27049c
Publikováno v:
Social Media + Society, Vol 7 (2021)
This special issue of Social Media + Society originates from the first AoIR Flashpoint Symposium, entitled “Below the Radar: Private Groups, Locked Platforms and Ephemeral Content.” The aim of this conference was to investigate platform-driven ch
Externí odkaz:
https://doaj.org/article/38ffe76d550c4b46b956ce9d3086ef8b
Autor:
Stefano Brilli, Laura Gemini
Publikováno v:
Journal of Italian Cinema & Media Studies. 10:77-95
In the theatre sector, many companies, festivals and theatres have integrated promotional videos into their communication strategies. This recent development is undoubtedly due to the rise of social media and the increasing accessibility of video tec
Autor:
Laura Gemini, Stefano Brilli
Publikováno v:
Theater(s) and Public Sphere in a Global and Digital Society, Volume 1 ISBN: 9789004529816
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::27feb61d67f5201efa91ae0702f2105a
https://doi.org/10.1163/9789004529816_014
https://doi.org/10.1163/9789004529816_014
Autor:
Laura Gemini, Giovanni Boccia Artieri, Fabio Giglietto, Elisabetta Zurovac, Manolo Farci, Stefano Brilli
Publikováno v:
SALUTE E SOCIETÀ. :201-222
Autor:
Laura Gemini, Stefano Brilli
Publikováno v:
International Journal of Performance Arts and Digital Media. 16:150-167
This paper explores the process of theatre mediatisation by analysing the Italian case study of Aldo Morto 54 by Compagnia Frosini/Timpano. Through a review of the recent literature on the topic, w...
In each stage of the Covid-19 pandemic, we have witnessed initiatives that, through digital technologies, have attempted to ensure the presence of theatre and to nurture the relationship with audiences. Our research asks which entry barriers to the a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::dacc3ea4d4bd68f4d923c9db2cad9b3d
https://www.sciencedirect.com/science/article/pii/S0304422X22001346
https://www.sciencedirect.com/science/article/pii/S0304422X22001346
Publikováno v:
AoIR Selected Papers of Internet Research.
The growing use of messaging apps group chats is defining a new geography of unsearchable digital conversations. Although these spaces often escape the range of internet research, because of the technical and ethical difficulties in extracting of lar
Autor:
Laura Gemini, Stefano Brilli
Publikováno v:
AoIR Selected Papers of Internet Research.
In the last decade, the use of social media in the theatre scene has fueled debates on the possibility to redefine the performer-audience relationship on a wide scale. Scarce attention, however, has been paid on empirically studying how performance a
Publikováno v:
AoIR Selected Papers of Internet Research. 2019
Within the contemporary social media sphere we witnessed an exploitation of visible and permanent contents shared by users for platforms’ marketing purposes (i.e. selling data to advertisers) and to enable platforms to provide tailored experiences.