Zobrazeno 1 - 10
of 15
pro vyhledávání: '"Stefania Portinari"'
Autor:
Stefania Portinari
Publikováno v:
piano b, Vol 6, Iss 2, Pp 27-48 (2022)
The art critic Tommaso Trini in Nuovo alfabeto per corpo e materia [New Alphabet for Body and Matter], published on "Domus" in January 1969 and later on the catalogue of the exhibition Live in Your Head. When Attitudes Become Form, reflects on how pu
Externí odkaz:
https://doaj.org/article/d9a2597f7c6f4e2cac9cfda3c12cc9ae
Autor:
Stefania Portinari, Nico Stringa
Atlante delle biennali intende essere un portolano per attraversare la storia e il presente di mostre che diventano epicentri di incontro e confronto anche tra nazioni e identità, che come mappe complesse e mesmerizzanti segnalano molteplici prospet
Autor:
Stefania Portinari
Publikováno v:
MODOS: Revista de História da Arte. 4:09-18
Maurizio Cattelan's poetics is filled with wrong and irreverent details. It can be a pigeon inside a room at Venice Biennale or a chasm in the floor of a museum, it is the inscription "Hollywood" in the wrong place, it is a strange door in an alley o
Autor:
Stefania Portinari
Publikováno v:
Index Journal.
Autor:
Stefania Portinari
Milena Milani, writer and artist, was also the lover of a notorius Venetian art gallerist, Carlo Cardazzo. Her passionate and vitalist character could express her feelings and feminist ideas through intense and outrageous romances, as A Girl Called G
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::95a31d08d6ddf6dab95d9aea207bb031
http://hdl.handle.net/10278/3720792
http://hdl.handle.net/10278/3720792
Autor:
Stefania Portinari
Things that do not exist or should not exist and ‘ghetto exhibitions’ mark some counterpoints on the presence of female artists and on first performance actions at Venice Biennale in the 1960s and the 1970s. Yayoi Kusama, who created Narcissus Ga
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::64da84895d3a018ddf8481dbd242da3a
https://doi.org/10.30687/978-88-6969-366-3/011
https://doi.org/10.30687/978-88-6969-366-3/011
Autor:
Stefania Portinari
La Biennale di Venezia attraversa gli anni settanta con una traiettoria che ne trasforma l'orientamento curatoriale. Dal conflitto ideologico innescato alla «Biennale poliziotta» del 1968 all'evocazione del rapporto tra arte e natura nel 1978, la r
Autor:
Stefania Portinari, Nico Stringa
Publikováno v:
Storie dell’arte contemporanea ISBN: 9788869693670
Storie dell’arte contemporanea
Storie dell’arte contemporanea
Atlante delle biennali intende essere un portolano per attraversare la storia e il presente di mostre che diventano epicentri di incontro e confronto anche tra nazioni e identità, che come mappe complesse e mesmerizzanti segnalano molteplici prospet
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3cc69005a0b435ba2464ef17364c530e
Autor:
Stefania Portinari
1920 is a watershed: a year that marks a break and a detachment in exhibitions held at Ca’ Pesaro palace. If in 1919 there was a ‘resurrection’ of the annual group show, after World War I, then a rift emerges that will never heal. A split betwe
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7eb01f730c4ee1f7f4142a2cb28623bb
https://doi.org/10.30687/978-88-6969-199-7/009
https://doi.org/10.30687/978-88-6969-199-7/009