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pro vyhledávání: '"Stanley J. Rabinowitz"'
Epic and the Russian Novel from Gogol to Pasternak examines the origin of the nineteen- century Russian novel and challenges the Lukács-Bakhtin theory of epic. By removing the Russian novel from its European context, the authors reveal that it devel
Autor:
Stanley J. Rabinowitz
Publikováno v:
And Then Came Dance
This fictional sketch co-written in 1897 by Volynsky and Lou Andreas-Salome was inspired by Tolstoy’s sensational and controversial Kreutzer Sonata. It also constituted the high point in the relationship between the two, which lasted from 1896 thro
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2d7572217a07475e1510ab96d570dbaa
https://doi.org/10.1093/oso/9780190943363.003.0003
https://doi.org/10.1093/oso/9780190943363.003.0003
Autor:
Stanley J. Rabinowitz
Publikováno v:
And Then Came Dance
Volynsky’s moving reminiscences of key women in his early life as a critic and journalist between 1891 and 1907 (Zinaida Gippius, Liubov Gurevich, Ida Rubinstein, Lou Andreas-Salome) is preceded by a theoretical introduction classifying two basic f
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::33e2e7f2fe7078f8f61f90496424ec6a
https://doi.org/10.1093/oso/9780190943363.003.0002
https://doi.org/10.1093/oso/9780190943363.003.0002
Autor:
Stanley J. Rabinowitz
Publikováno v:
And Then Came Dance
This is the longest and richest chapter from Volynsky’s revisionist 1898 study of Leonardo da Vinci and the Renaissance milieu which gave birth to him. Passionately, almost manically written, this piece constitutes Volynsky’s moral and aesthetic
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d3ee1827c256195b82d7a4ff45626d79
https://doi.org/10.1093/oso/9780190943363.003.0004
https://doi.org/10.1093/oso/9780190943363.003.0004
Autor:
Stanley J. Rabinowitz
Publikováno v:
And Then Came Dance
Continuing to view what was most likely the greatest number of preeminent ballerinas ever to have been assembled on a single stage within so brief a period of time, Volynsky recreates the vivid and increasingly vulnerable world of Petersburg/Petrogra
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d003ec12454c50e11f4c9dc78d2a40e1
https://doi.org/10.1093/oso/9780190943363.003.0008
https://doi.org/10.1093/oso/9780190943363.003.0008
Autor:
Stanley J. Rabinowitz
Publikováno v:
And Then Came Dance
Two articles on Dostoevsky’s strongest female characters, Nastasya Filippovna (from The Idiot) and the “Infernal Woman” Grushenka (from The Brothers Karamazov). Volynsky’s approach emanates from his belief that women’s bodies represent the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::36cf161d5da9a17c7dd5182cbe2c7085
https://doi.org/10.1093/oso/9780190943363.003.0005
https://doi.org/10.1093/oso/9780190943363.003.0005
Autor:
Stanley J. Rabinowitz
Publikováno v:
And Then Came Dance
Volynsky wrote this introduction to the Russian edition of Otto Weininger’s literary bombshell Sex and Character, the translation of which from the German he supervised. Weininger’s attitude toward women was hostile and mean-spirited, but Volynsk
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e2441101b056be311a5e51b1593645a3
https://doi.org/10.1093/oso/9780190943363.003.0006
https://doi.org/10.1093/oso/9780190943363.003.0006
Autor:
Stanley J. Rabinowitz
Publikováno v:
And Then Came Dance
HISTORIANS OF CULTURE LOOK at Russia’s Silver Age—the period of aesthetic activity roughly between 1895 and 1915—as one of the great artistic revivals of modern history, the initial phase of what eventually became more generally known as modern
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::57cfa29dae7a1375214c5c2fd4c6345a
https://doi.org/10.1093/oso/9780190943363.003.0001
https://doi.org/10.1093/oso/9780190943363.003.0001
Autor:
Stanley J. Rabinowitz
Presenting for the first time Akim Volynsky's (1861-1926) pre-balletic writings on Leonardo da Vinci, Fyodor Dostoevsky, Otto Weininger, and on such illustrious personalities as Zinaida Gippius, Ida Rubinstein, and Lou Andreas-Salome, And Then Came D