Zobrazeno 1 - 10
of 14
pro vyhledávání: '"Stacey Sloboda"'
Autor:
Michael Yonan, Stacey Sloboda
While the connected, international character of today's art world is well known, the eighteenth century too had a global art world. Eighteenth-Century Art Worlds is the first book to attempt a map of the global art world of the eighteenth century. Fo
Autor:
Stacey Sloboda
Interiors in the Age of Enlightenment provides a comprehensive and interdisciplinary overview of the cultural history of interior design and interior spaces from 1700 to 1850.Considering the interior as material, social and cultural artefact, this vo
Autor:
Stacey Sloboda
Publikováno v:
Textile History. 52:229-230
Autor:
Stacey Sloboda
Publikováno v:
Journal of Design History.
Autor:
Stacey Sloboda
Publikováno v:
Eighteenth-Century Art Worlds
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::093510293e5f9ccca5e4ed1cb7d7a83d
https://doi.org/10.5040/9781501335518.ch-014
https://doi.org/10.5040/9781501335518.ch-014
Autor:
Stacey Sloboda, Michael Yonan
Publikováno v:
Eighteenth-Century Art Worlds
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::09490d6ec280574e9e5755a8fd5c1e7e
https://doi.org/10.5040/9781501335518.ch-001
https://doi.org/10.5040/9781501335518.ch-001
Autor:
Stacey Sloboda
Publikováno v:
Encyclopedia of Asian Design.
Autor:
Stacey Sloboda
Publikováno v:
Architectural Space in Eighteenth-Century Europe
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9841e99f433902c1b1f248be9281ea7a
https://doi.org/10.4324/9781315097091-7
https://doi.org/10.4324/9781315097091-7
Autor:
Stacey Sloboda
Publikováno v:
Women's Writing. 21:337-356
The production, style and aesthetic status of script was a persistent theme in eighteenth-century English handwriting manuals, known as copybooks, where penmanship was put in the service of burgeoning global commerce and the display of rationality an
Autor:
Stacey Sloboda
Publikováno v:
Journal of Design History. 21:223-236
At the Great Exhibition in 1851, British designers were rendered mute in the face of overwhelming evidence that nearly every country in the world had a more coherent and culturally integrated style of design than that of Victorian Britain. One respon