Zobrazeno 1 - 10
of 19
pro vyhledávání: '"Spanish opera"'
Autor:
Mario Lerena
Publikováno v:
Resonancias, Vol 26, Iss 51, Pp 35-62 (2022)
José María Usandizaga’s (1887-1915) recognition as a composer has been based mainly on two operatic masterpieces: Mendi-Mendiyan (Bilbao, 1910) and, especially, Las golondrinas (Madrid, 1914). Yet, his personal legacy kept at the Basque Music Arc
Externí odkaz:
https://doaj.org/article/f73fa1e7b7d94e7e9a5d1b2077319d42
Akademický článek
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Autor:
Zimmerman, Camila
The Dido myth has evolved and been adapted by many cultures over the centuries. Each Dido was altered to fit the needs of its creator, their society and customs. Despite these variations, every Dido retelling is derived from the Virgilian Dido, histo
Externí odkaz:
https://digital.library.unt.edu/ark:/67531/metadc1986572/
Akademický článek
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Publikováno v:
Anuario Musical; No. 74 (2019); 37-52
Anuario Musical; Núm. 74 (2019); 37-52
Anuario Musical
Consejo Superior de Investigaciones Científicas (CSIC)
Anuario Musical; Núm. 74 (2019); 37-52
Anuario Musical
Consejo Superior de Investigaciones Científicas (CSIC)
Recent research on Spanish 19th-century opera scores that have been hitherto ignored has recognised the value of some of the works written by the most notable Spanish composers. This fact has surprised the musicological community that does not fully
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::8c8cf872f0931db205ee71ffb7423bca
https://anuariomusical.revistas.csic.es/index.php/anuariomusical/article/view/348
https://anuariomusical.revistas.csic.es/index.php/anuariomusical/article/view/348
Autor:
María Pilar Espín Templado
Publikováno v:
Arbor; Vol. 193 No. 783 (2017); a371
Arbor; Vol. 193 Núm. 783 (2017); a371
Arbor: Ciencia, Pensamiento y Cultura, Vol 193, Iss 783, Pp a371-a371 (2017)
Arbor; Vol. 193 Núm. 783 (2017); a371
Arbor: Ciencia, Pensamiento y Cultura, Vol 193, Iss 783, Pp a371-a371 (2017)
Of critical importance is the publication of the previously unreleased manuscript by M. J. de Larra, El Rapto, (1832), the first opera ever written in the history of Spanish lyric theater (music by the maestro Genoves). This opera is now published in
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::fecd3de8cb0dc0a1e68fec6374b5f03a
http://arbor.revistas.csic.es/index.php/arbor/article/view/2177
http://arbor.revistas.csic.es/index.php/arbor/article/view/2177
Akademický článek
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Autor:
Diana Díaz González
Publikováno v:
Cuadernos de Música Iberoamericana, Vol 23, Iss 0, Pp 45-66 (2012)
Cuadernos de Música Iberoamericana; Vol. 23 (2012); 45-66
Revistas Científicas Complutenses
Universidad Complutense de Madrid (UCM)
Diana Diaz
Cuadernos de Música Iberoamericana; Vol 23 (2012); 45-66
Cuadernos de Música Iberoamericana; Vol. 23 (2012); 45-66
Revistas Científicas Complutenses
Universidad Complutense de Madrid (UCM)
Diana Diaz
Cuadernos de Música Iberoamericana; Vol 23 (2012); 45-66
In recent years, Manuel Manrique de Lara’s facet as a folklorist has been considered in various academic publications, which essentially discuss Lara’s contributions to this field from the point of view of his relationship with the Centro de Estu
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::d964964721435b78875590adc587b8ec
http://147.96.1.34/index.php/CMIB/article/view/59444
http://147.96.1.34/index.php/CMIB/article/view/59444
Autor:
Víctor Sánchez Sánchez
Publikováno v:
Anuario Musical, Vol 0, Iss 65, Pp 145-170 (2010)
Anuario Musical, Iss 65, Pp 145-170 (2010)
Anuario Musical, Iss 65, Pp 145-170 (2010)
In spite of its importance and impact to Spanish music of the first half of twentieth century, Conrado del Campo’s output, and particularly his operas, have unfairly been forgotten. This article examines Conrado del Campo’s early operas, which re
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::fe5c2527480d905b44e8a22644ec2ff1
http://anuariomusical.revistas.csic.es/index.php/anuariomusical/article/view/116/117
http://anuariomusical.revistas.csic.es/index.php/anuariomusical/article/view/116/117
Autor:
Víctor Sánchez Sánchez
Publikováno v:
Dante e l'Arte, Vol 2 (2015)
Dipòsit Digital de Documents de la UAB
Universitat Autònoma de Barcelona
Dante e l’Arte; Vol. 2 (2015): Dante e la musica. Il sinfonismo; p. 161-186
Dipòsit Digital de Documents de la UAB
Universitat Autònoma de Barcelona
Dante e l’Arte; Vol. 2 (2015): Dante e la musica. Il sinfonismo; p. 161-186
El tema del Infierno de la Divina Comedia ha inspirado numerosas composiciones musicales, tanto en el campo sinfónico como en el operístico. Entre los temas el más utilizado ha sido la trágica historia del amor de Paolo y Francesca. Las versiones
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::35b1d309ccc65a979585e10a9493bcfb
https://doi.org/10.5565/rev/dea.43
https://doi.org/10.5565/rev/dea.43