Zobrazeno 1 - 10
of 490
pro vyhledávání: '"Soviet opera"'
Autor:
Frolova-Walker, Marina
Publikováno v:
Cambridge Opera Journal, 2006 Jul 01. 18(2), 181-216.
Externí odkaz:
https://www.jstor.org/stable/4126435
Autor:
Bullock, Philip Ross
Publikováno v:
Cambridge Opera Journal, 2006 Mar 01. 18(1), 83-108.
Externí odkaz:
https://www.jstor.org/stable/3878274
Autor:
BERMAN, ANNA A.
Publikováno v:
Cambridge Opera Journal, 2014 Nov 01. 26(3), 215-238.
Externí odkaz:
https://www.jstor.org/stable/24252305
Autor:
KOTKINA, IRINA
Publikováno v:
Revue des études slaves, 2013 Jan 01. 84(3/4), 505-518.
Externí odkaz:
https://www.jstor.org/stable/24372082
Autor:
Kildea, Paul
Publikováno v:
Britten on Music.
Externí odkaz:
https://doi.org/10.1093/oso/9780198167143.003.0003
Autor:
Anna A. Berman
Publikováno v:
Cambridge Opera Journal. 26:215-238
When Sergei Prokofiev chose to adaptWar and Peacefor the Soviet opera stage in the 1940s, he faced both operatic conventions and Soviet ideological demands that ran counter to the philosophy and structure of Tolstoy’s sprawling masterpiece. Prokofi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fb85115942a7f982445c724ae4d6c21e
https://doi.org/10.1017/s095458671400007x
https://doi.org/10.1017/s095458671400007x
Autor:
Marina Frolova-Walker
Publikováno v:
Cambridge Opera Journal. 18:181-216
The subject of this article is the failure of the Stalinist Soviet opera project. Although similar proposals had appeared years before, the project was inaugurated in 1936, and its realisation was placed in the hands of the State Committee for Artist
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ce3471ab163fbe8f40cbe3c37008e1b4
https://doi.org/10.1017/s0954586706002163
https://doi.org/10.1017/s0954586706002163
Autor:
Philip Ross Bullock
Publikováno v:
Cambridge Opera Journal. 18:83-108
With the exception of Shostakovich's Lady Macbeth of the Mtsensk District, Soviet opera in the 1930s has been relatively little studied. Yet this was an era in which opera was vigorously promoted as an ideal Soviet form after more than a decade of cr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::29a6677c2b96154fb9117a09d638755a
https://doi.org/10.1017/s0954586706002114
https://doi.org/10.1017/s0954586706002114
Autor:
Katsalap, Olena
Publikováno v:
Мистецтвознавчі записки / Notes on Art Criticism. (39):173-178
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=992375
Autor:
Irina Kotkina
Cet article est consacré à l’opéra classique et à son utilisation par le pouvoir soviétique pour en faire un instrument de formation d’une conscience impériale sur une base nouvelle, soviétique et contribuer à la création d’un espace p
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::11a08b24575e8da399014d8f1bdd1da0
http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-23356
http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-23356
