Zobrazeno 1 - 9
of 9
pro vyhledávání: '"Souborné vydání děl Antonína Dvořáka"'
Autor:
ZAHRÁDKA, JIŘÍ
Publikováno v:
Opus Musicum. 2015, Vol. 47 Issue 6, p22-37. 17p.
Antonín Dvořák: Dumka a Furiant op. 12/1, 2. Studie k ediční problematice Dvořákových klavírních děl
Autor:
Kolátorová, Petra
The origins of this partial source research are linked to the preparation of Dvořák’s works for piano for publishing in the frame of the Nové souborné vydání děl Antonína Dvořáka (The New Dvořák Edition, NDE). This article considers the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dlib_cas__cz::ebbe5d1c12dce7abcee4f17a87bd10fa
http://dlib.lib.cas.cz/3309/
http://dlib.lib.cas.cz/3309/
Autor:
Döge, Klaus
This text is an extended version of a lecture, given in September 2004 at the XIIIth International Congress (“Musik und kulturelle Identität”) of the Gesellschaft für Musikforschung in Weimar. The author characterizes the most important complet
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dlib_cas__cz::0f2e25fd696cbedb0deea25bb7842d0c
http://dlib.lib.cas.cz/3014/
http://dlib.lib.cas.cz/3014/
Autor:
Carol June Bradley
Encompassing both the art song and Lieder traditions, the book includes: comprehensive lists of the compositions of 125 major western composers, identities of the poets who wrote the lyrics, titles used by respective composers with cross references f
Autor:
Michael Baumgartner
Hailed as a leading innovator of visual montage, unique storytelling style, and ground-breaking cinematography, Jean-Luc Godard is a prominent pioneer in sculpting complex soundtracks altering the familiar relationship between sound and image, but hi
Autor:
Judith Mabary
The mention of the term'melodrama'is likely to evoke a response from laymen and musicians alike that betrays an acquaintance only with the popular form of the genre and its greatly heightened drama, exaggerated often to the point of the ridiculous. F
Autor:
Antonin Dvorák
The two series of piano duets combined in this volume are among Dvořák's most famous compositions and among the most performed works in the piano four hands repertoire. The composer intended them as artistic stylizations of typical Slavonic dances