Zobrazeno 1 - 9
of 9
pro vyhledávání: '"Sophie Belot"'
Autor:
Sophie Belot, Ralf Junkerjürgen
Publikováno v:
apropos [Perspektiven auf die Romania], Iss 8 (2022)
Der vorliegende Beitrag analysiert die Entwicklung der Figur Marie in Catherine Breillats Film Romance (1999), die sowohl aus einer kulturellen (Romanze und Pornografie), als auch einer sozialen Perspektive (männliche Dominanz) dargestellt wird. Bre
Externí odkaz:
https://doaj.org/article/d4aa635df84c4b99924a570f3fe533a4
Autor:
Sophie Bélot
In The Cinema of Catherine Breillat, Bélot offers a detailed analysis of Breillat's past and recent films. Breillat is one of the most internationally renowned French women filmmakers whose notoriety is built on her explicit representation of women'
Autor:
Sophie Belot
Publikováno v:
Women in the Work of Woody Allen. :17-32
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::88af1dfdc4bb54e2301611159dc1861f
https://doi.org/10.1017/9789048550296.002
https://doi.org/10.1017/9789048550296.002
Autor:
Sophie Belot
Publikováno v:
L'Esprit Créateur. 60:113-125
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::78e8be97489c66c1e80fb105610803e7
https://doi.org/10.1353/esp.2020.0016
https://doi.org/10.1353/esp.2020.0016
Autor:
Sophie Belot
Publikováno v:
Film Studies. 20:21-35
In French cinema, representations of girls have often been associated with films made by women, as demonstrated by Carrie Tarr with Brigitte Rollet (2001). They claim that the young girl is the major cinematographic topic for a woman’s first film,
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::77a49255d2502392832afc3fabd0cb5b
https://doi.org/10.7227/fs.20.0002
https://doi.org/10.7227/fs.20.0002
Autor:
Sophie Belot
Publikováno v:
Studies in French Cinema. 12:169-184
Adolescent girls in cinema have always been of interest to film directors, both men and women alike. The young girl has been a subject of predilection due to her ambiguous position, as no longer a child but not yet an adult. Over the years, film-make
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::736f23238fef26c48e687d3895077cf5
https://doi.org/10.1386/sfc.12.2.169_1
https://doi.org/10.1386/sfc.12.2.169_1
Autor:
Sophie Belot
Publikováno v:
Women in French Studies. 18:135-147
Since the late 1990s, Catherine Breillat has lent her name to a form of cinema in Europe that deals with the contemporary issue of woman's quest for sexual identity. I will claim that Anatomie de l'Enfer shares some similarities with her previous fil
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b8d27c70d43db220812897f3cf5ed917
https://doi.org/10.1353/wfs.2010.0018
https://doi.org/10.1353/wfs.2010.0018
Autor:
Sophie Belot
Anne Fontaine’s latest film, Nathalie… (2003) draws comparison with François Truffaut’s 1981 film, La Femme d’à Côté (The Woman Next Door), in that it features a relationship between Fanny Ardant and Gérard Depardieu. The couple could be
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::79453c1e2bf725fb5144d016dfa4addb
https://orca.cardiff.ac.uk/id/eprint/128815/1/newreadings_8_0_2007_newreadings.56.pdf
https://orca.cardiff.ac.uk/id/eprint/128815/1/newreadings_8_0_2007_newreadings.56.pdf