Zobrazeno 1 - 10
of 242
pro vyhledávání: '"Sondra Horton Fraleigh"'
Autor:
Meglin, Joellen A.
Publikováno v:
Dance Research Journal, 2000 Dec 01. 32(2), 132-138.
Externí odkaz:
https://www.jstor.org/stable/1477988
Autor:
Raegan Truax
Publikováno v:
Dance Research Journal. 51:87-89
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::75ebbd06d250b27d6c2fd4dd786b07ba
https://doi.org/10.1017/s0149767719000214
https://doi.org/10.1017/s0149767719000214
Autor:
Zank, Ronald J.
Publikováno v:
Great Plains Quarterly, 2009 Apr 01. 29(2), 163-164.
Externí odkaz:
https://www.jstor.org/stable/23534139
Autor:
Sondra Horton Fraleigh
In Back to the Dance Itself, Sondra Fraleigh edits essays that illuminate how scholars apply a range of phenomenologies to explore questions of dance and the world; performing life and language; body and place; and self-knowing in performance. Some a
Autor:
Moore, Nancy G.
Publikováno v:
Dance Research Journal, 1988 Jul 01. 20(1), 59-61.
Externí odkaz:
https://www.jstor.org/stable/1478826
Autor:
Cara Gargano
Publikováno v:
Theatre Research International. 26:294-315
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b518d68122864945abb53630302a677c
https://doi.org/10.1017/s0307883301360376
https://doi.org/10.1017/s0307883301360376
Autor:
Fowler, Sarah B.
Publikováno v:
The Journal of Aesthetics and Art Criticism, 1989 Jan 01. 47(1), 89-90.
Externí odkaz:
https://www.jstor.org/stable/431999
Autor:
Daly, Ann
Publikováno v:
Theatre Journal, 1989 Oct 01. 41(3), 421-422.
Externí odkaz:
https://www.jstor.org/stable/3208202
Autor:
Sondra Horton Fraleigh
Combining critical analysis with personal history and poetry, Dancing Identity presents a series of interconnected essays composed over a period of fifteen years. Taken as a whole, these meditative reflections on memory and on the ways we perceive an
Autor:
Sondra Horton Fraleigh
In her remarkable book, Sondra Horton Fraleigh examines and describes dance through her consciousness of dance as an art, through the experience of dancing, and through the existential and phenomenological literature on the lived body. She describes,