Zobrazeno 1 - 6
of 6
pro vyhledávání: '"Soldani, Maria Teresa"'
Autor:
Soldani Maria Teresa
Publikováno v:
Cinéma & Cie, Vol 15, Iss 24 (2015)
This paper explores the use of archival images in Jem Cohen’s Buried in Light (Central and Eastern Europe in Passing, 1994), and Evening’s Civil Twilight in Empires of Tin (2007-2008) in order to read the development of his reflections on history
Externí odkaz:
https://doaj.org/article/698c2ed4c5bc4d19ac66abab5cec8d0c
Autor:
Corbella, Maurizio, Boschi, Elena, Locatelli, Massimo, Tomatis, Jacopo, Soldani, Maria Teresa, Bratus, Alessandro, Valentini, Paola, Cecchi, Alessandro, Pini, Benedetta
Publikováno v:
Schermi, Vol 4, Iss 7 (2020)
Schermi. Storie e culture del cinema e dei media in Italia; V. 4 N. 7 (2020); 1-191
Schermi. Storie e culture del cinema e dei media in Italia; V. 4 N. 7 (2020); 1-191
The issue addresses the compilation soundtrack in the Italian sound cinema
Schermi. Storie e culture del cinema e dei media in Italia, V. 4 N. 7 (2020)
Schermi. Storie e culture del cinema e dei media in Italia, V. 4 N. 7 (2020)
Autor:
Soldani, Maria Teresa
Publikováno v:
Schermi, Vol 4, Iss 7 (2020)
Schermi. Storie e culture del cinema e dei media in Italia; V. 4 N. 7 (2020); 95-113
Schermi. Storie e culture del cinema e dei media in Italia; V. 4 N. 7 (2020); 95-113
The paper investigates the “90s cult movies” compilation soundtracks of Enza Negroni’s “Jack Frusciante è uscito dal gruppo” (1996) and Davide Ferrario’s “Tutti giù per terra” (1997), both produced by Consorzio Produttori Indipend
Autor:
Soldani, Maria Teresa
Publikováno v:
Cinergie, Vol 7, Iss 13, Pp 59-65 (2018)
This essay aims at exploring No Wave as a potential paradigm of American Independent Cinema by investigating where and when this body of works flourished: New York City from the mid-1970s. In such films, the decayed urban environment of Lower Manhatt
Autor:
SOLDANI, MARIA TERESA
Publikováno v:
Imaginations Journal. 2017, Vol. 7 Issue 2, p72-85. 14p.
Autor:
Soldani, Maria Teresa
Publikováno v:
IMAGO Studi di Cinema e Media; 2021, Vol. 12 Issue 24, p155-168, 14p