Zobrazeno 1 - 8
of 8
pro vyhledávání: '"Soetarno Soetarno"'
Publikováno v:
Mudra: Jurnal Seni Budaya, Vol 38, Iss 2 (2023)
Wayang Kayon filling is often understood as an ornament that is interpreted separately. The fillings are composed in such a way that they interact. The interaction between Wayang Kayon fillings forms landscape perception. This study aims to explain l
Externí odkaz:
https://doaj.org/article/abca83d409f948e08f912c1a456fe0f0
Publikováno v:
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni, Vol 14, Iss 2, Pp 13-26 (2020)
Kayon is a shadow puppet character who symbolizes the world. In the Java world, there are two types of world concepts, namely the jagad ageng and the jagad alit. This study aims to examine the concepts of jagad ageng and jagad alit which are symboliz
Externí odkaz:
https://doaj.org/article/cfed65fcabc44f7f8874bf4c4103d6d3
Publikováno v:
Harmonia: Journal of Arts Research and Education, Vol 17, Iss 1, Pp 75-86 (2017)
Laras is one unresolved aesthetic concept and gendhing garap models as the triggers have not been identified yet either. This paper is a case study which discusses a case of jineman garap Uler Kambang pélog lima, the first winner of Sindhèn Idol co
Externí odkaz:
https://doaj.org/article/03221eadc4044b789297e9385a96f3f9
Publikováno v:
Resital: Jurnal Seni Pertunjukan, Vol 12, Iss 2 (2011)
Memahami gaya pedalangan Sunda pada dasarnya adalah sebuah upaya penjelajahan dan pemetaan jagat pedalangan Sunda yang kaya dengan nilai-nilai tradisi dan permasalahan-permasalahan uniknya. Salah satunya adalah permasalahan gaya pedalangan yang ident
Externí odkaz:
https://doaj.org/article/1ff62ba1199946bc88dea72bcd701254
Publikováno v:
Mudra Jurnal Seni Budaya. 38:113-119
Wayang Kayon filling is often understood as an ornament that is interpreted separately. The fillings are composed in such a way that they interact. The interaction between Wayang Kayon fillings forms landscape perception. This study aims to explain l
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::87598a9e1c35ec81a2703834e7b2c64b
https://doi.org/10.31091/mudra.v38i2.2096
https://doi.org/10.31091/mudra.v38i2.2096
Publikováno v:
Proceedings of the 1st Konferensi Internasional Berbahasa Indonesia Universitas Indraprasta PGRI, KIBAR 2020, 28 October 2020, Jakarta, Indonesia.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::52aa4eb211d116d0259805d9bd18fe15
https://doi.org/10.4108/eai.28-10-2020.2315331
https://doi.org/10.4108/eai.28-10-2020.2315331
Publikováno v:
Jurnal Desain. 10:191
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3d675bd051aeb5a2aa6d8fa789be60cc
https://doi.org/10.30998/jd.v10i1.14696
https://doi.org/10.30998/jd.v10i1.14696
Publikováno v:
Panggung, Vol 22, Iss 4 (2012)
This paper is a part (portion) of one topic of dissertation research by the author as a preparation for the final exams of doctoral program. The focus of the study in this paper is directed to study aspects of the aesthetic values of the elements con
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::c55801504d4e9f40eeb1ecadc6c02009
http://simlitmas.isbi.ac.id/e-jurnal/index.php/panggung/article/view/67
http://simlitmas.isbi.ac.id/e-jurnal/index.php/panggung/article/view/67