Zobrazeno 1 - 10 of 21 pro vyhledávání: '"Sluchin, Benny"'
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Akademický článek
A Computer-Assisted Version of Stockhausen's "Solo for a Melody Instrument with Feedback"
Autor: Sluchin, Benny
Publikováno v: Computer Music Journal, 2000 Jul 01. 24(2), 39-46.
Externí odkaz: https://www.jstor.org/stable/3681926
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2
Somax 2, a Reactive Multi-Agent Environment for Co- Improvisation
Autor: Borg, Joakim, Malt, Mikhail, Assayag, Gérard, Sluchin, Benny, Conforti, Simone
Key words: Machine learning, Co-improvisation, Audio Features, Co-creativity, Artificial Intelligence, Interaction Paradigms, Multi-agent systems
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::52ac61599a1d98b272039b339ec9d5ce
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3
Periodical
JOHN CAGE: Solo for Sliding Trombone A Computer Assisted Performance Approach.
Autor: Sluchin, Benny benny.sluchin@ircam.fr, Malt, Mikhail mikhail.malt@ircam.fr
Publikováno v: ITA Journal. Jul2020, Vol. 48 Issue 3, p19-25. 7p.
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4
Geometric Notation for Time-Bracket works, application and performance The case of John Cage's Music for___
Autor: Malt, Mikhail, Sluchin, Benny
The interpreter who approaches the music of John Cage composed after the middle of the 20th century is often disconcerted by a great freedom of execution, associated with a set of precise instructions. In previous work [8] we modeled these time brack
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::eec850d0717763b8940ef6313c9be108
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5
Une sourdine sèche active pour le trombone
Autor: Meurisse, Thibaut, MAMOU-MANI, Adrien, Caussé, René, Sluchin, Benny, SHARP, David
Publikováno v: Congrès Français d'Acoustique
Congrès Français d'Acoustique, Apr 2018, Le Havre, France
International audience; La sourdine est un accessoire utilisé par les musiciens de cuivres pour modifier le timbre ou le niveau sonore des instruments. Il arrive cependant que les sourdines aient également des effets néfastes sur la jouabilité de
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::dc053acf35a2fc330648f20f1acc9332
https://hal.archives-ouvertes.fr/hal-01834640
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6
A Cap For Graphic Scores. Graphic Notation And Performance
Autor: Sluchin, Benny, Malt, Mikhail
Publikováno v: Tenor 2017-International Conference on Technologies for Music Notation and Representation
Tenor 2017-International Conference on Technologies for Music Notation and Representation, May 2017, La Coruña, Spain
International audience; Many graphic scores use the pitch versus time presentation, as a natural extension of the usual notation. In the general case, it displays discrete pitches, in a fixed timeline. Nevertheless, graphic scores use a lot of contin
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::02b0b6d935b6dfed6c229aa52beb12f7
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10
A COMPUTER AIDED INTERPRETATION INTERFACE FOR JOHN CAGE'S NUMBER PIECE TWO 5
Autor: Sluchin, Benny, Malt, Mikhail
Publikováno v: Journées d'Informatique Musicale
Journées d'Informatique Musicale, 2012, Mons, France
International audience; Conceptual musical works that lead to a multitude of realizations are of special interest. One can't talk about a performance without taking into account the rules that lead to the existence of that version. After dealing with
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::4fa3a9fdeeaed8f38c7d7e64d543f79d
https://hal.archives-ouvertes.fr/hal-03041808/document
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