Zobrazeno 1 - 10
of 18
pro vyhledávání: '"Siobhán O'Gorman"'
Publikováno v:
Review of Irish Studies in Europe, Vol 4, Iss 1, Pp 1-7 (2021)
RISE 4.1 examines the complex interplay between Irish and European culture via the Dublin Gate Theatre from its founding in 1928 to the present day. The issue explores Irish presentations of European work and Irish theatre that connects variously wit
Externí odkaz:
https://doaj.org/article/495582346d704569873fbe8cff9255b3
Autor:
Siobhán O'Gorman
Publikováno v:
Review of Irish Studies in Europe, Vol 4, Iss 1, Pp 43-65 (2021)
Molly MacEwen’s design career took off after serving as Micheál mac Liammóir’s apprentice at the Dublin Gate during the mid-1930s and following her design work on the 1938 Empire Exhibition in Glasgow. MacEwen went on to make a significant cont
Externí odkaz:
https://doaj.org/article/6116b70de1b645ae9e7cac22b6c090e2
Publikováno v:
Review of Irish Studies in Europe, Vol 4, Iss 1 (2021)
Review of Irish Studies in Europe (RISE) 4.1: Staging Europe at the Gate Theatre
Externí odkaz:
https://doaj.org/article/023aec10ce094dd9b79d93b64a00e404
Publikováno v:
Scene. 8:3-6
This double issue of Scene is the first special issue of a peer-reviewed international journal since the early 2000s to focus on Performance Studies as it relates to Ireland. It provides a forum for examining a range of artistic practices as well as
Publikováno v:
Scene. 8:7-27
This article offers a comprehensive, research-informed reflection on the contents of the Special Double Issue of Scene, ‘Performance and Ireland’, conceptualized within a sense of looped temporalities (now, then, now), a concept borrowed from Iri
Autor:
Siobhán O'Gorman
Publikováno v:
Adaptation Considered as a Collaborative Art ISBN: 9783030251604
This chapter draws on conceptions of devising and collective creation to promote a renewed understanding of different processes of adaptation, the diverse modes of collaboration involved, and the various intersectional points at which conventionally
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3fd54d3019488503f5208b744a38f304
https://doi.org/10.1007/978-3-030-25161-1_5
https://doi.org/10.1007/978-3-030-25161-1_5
Autor:
Siobhán O'Gorman
Publikováno v:
The Palgrave Handbook of Contemporary Irish Theatre and Performance ISBN: 9781137585875
Collaboration is paramount to the theatre designer’s process, as Irish scenographer Frank Conway argues in his insightful essay “The Sound of One Hand Clapping” (2012). However, Conway also points out that, in the discourses of Irish theatre, t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6a90ff4cf83a36a9f02ad97bda7a1e05
https://doi.org/10.1057/978-1-137-58588-2_24
https://doi.org/10.1057/978-1-137-58588-2_24
Autor:
Siobhán O'Gorman
Publikováno v:
Journal of Adaptation in Film & Performance. 8:39-60
This article considers the figure of Hester from Nathaniel Hawthorne’s The Scarlet Letter (1850) and its adaptation to contemporary African American and Irish dramatic writing. It focuses on In the Blood (1999) and Fucking A (2001) by African Ameri
Autor:
Siobhán O'Gorman
Publikováno v:
Theatre and Performance Design. 2:179-181
Irish scenography is in urgent need of increased historicisation and critical consideration. Joe Vaněk, a set and costume designer originally from Stratford-on-Avon who has spent more than 30 years working professionally in Irish theatre, has made a