Zobrazeno 1 - 9
of 9
pro vyhledávání: '"Sikaman Soro"'
Autor:
Hugo Zemp, Sikaman Soro
Publikováno v:
African Music : Journal of the International Library of African Music. 8:6-23
It is evident that the relationship between natural language and balafon playing goes beyond mere imitation, or rather transposition, of tonemes and long and short syllables. Senufo balafonists not only reproduce linguistic statements: they produce t
Autor:
ZEMP, HUGO, SORO, SIKAMAN
Publikováno v:
African Music: Journal for the International Library of African Music. 2010, Vol. 8 Issue 4, p6-23. 18p.
Publikováno v:
International African Bibliography; 2006, Vol. 35 Issue 4, p272-290, 19p
Autor:
Carver, Mandy
Publikováno v:
African Music: Journal for the International Library of African Music. 2010, Vol. 8 Issue 4, p142-143. 2p.
Autor:
Akinlabi, Akinbiyi, Bickmore, Lee, Cahill, Michael, Diercks, Michael, Downing, Laura J, Essegbey, James, Franich, Katie, McPherson, Laura, Rose, Sharon
The papers in this volume were presented at the 50th Annual Conference on African Linguistics held at the University of British Columbia in 2019. The contributions span a range of theoretical topics as well as topics in descriptive and applied lingui
This handbook provides a comprehensive account of the languages spoken in Ethiopia, exploring both their structures and features and their function and use in society. The first part of the volume provides background and general information relating
Autor:
Guy Mvelle
Manu Dibango, en militant pour la paix dans le monde, défendant la diversité culturelle et linguistique, interpellant les gouvernements sur la faim en Éthiopie, signant une pétition pour la protection de l'environnement, s'est donné une stature
Autor:
Leonardo D'Amico
The growing interest in the visual dimension of musical performance practice and the use of film as a medium of presentation and research in Ethnomusicology is related to the increasingly wide use of visual ethnographic methods of research and repres
Autor:
Angéline Yégnan-Touré G.
Entité musico-chorégraphique, le Gbofé est d'abord un sextet de trompes traversières. La performance musicale des gbofé alterne avec celles de plusieurs chanteuses qui, dit-on, traduisent par leurs chants ce que jouent les trompes. Il résulte a