Zobrazeno 1 - 10
of 13
pro vyhledávání: '"Shonagh Hill"'
Publikováno v:
Feminist Encounters: A Journal of Critical Studies in Culture and Politics, Vol 6, Iss 1, p 02 (2022)
Editorial: Special Issue on Repealing the 8th: Irish Reproductive Activism
Externí odkaz:
https://doaj.org/article/d9ca5a85e1364744a5a42dee20da6846
Autor:
Shonagh Hill
Publikováno v:
Feminist Encounters: A Journal of Critical Studies in Culture and Politics, Vol 6, Iss 1, p 10 (2022)
This article analyses the durational art campaign, Not At Home, through the lens of affect theory in order to explore how performance moves us: physically and emotionally; individually, but also socially and collectively. First performed in 2017, Not
Externí odkaz:
https://doaj.org/article/fc7c3cd70b024045a87caaf90a61b5d9
Autor:
Shonagh Hill
Publikováno v:
The Golden Thread
Emma Donoghue’s play I Know My Own Heart (1993) draws on the life of Anne Lister (1791-1840): a Yorkshire heiress who chronicled her lesbian relationships in coded diaries. Against the backdrop of one of the character’s comments that, “The gene
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::0e38e0be946ef2d49f790df23de0e811
https://doi.org/10.3828/liverpool/9781800859470.003.0003
https://doi.org/10.3828/liverpool/9781800859470.003.0003
Autor:
Margaret O’Leary, Mary Manning, Dorothy Macardle, Mary Devenport O’Neill, Kate O'Brien, Lisa Fitzpatrick, Shonagh Hill
This anthology provides access to neglected theatrical work and broadens our understanding of the history of Irish theatre as well as the vital role of women within it. The introduction places these plays in dialogue with one another as well as withi
Autor:
Shonagh Hill
The rich legacy of women's contributions to Irish theatre is traditionally viewed through a male-dominated literary canon and mythmaking, thus arguably silencing their work. In this timely book, Shonagh Hill proposes a feminist genealogy which brings
Autor:
Shonagh Hill
Publikováno v:
Performance, Feminism and Affect in Neoliberal Times ISBN: 9781137598097
Shonagh Hill takes a feminist approach to inhabiting, uncomfortably, the spectator position during her participatory experience of The Boys of Foley Street (2012), the third installation of ANU Production’s four-part site-specific Monto Cycle set i
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::dc8cf4230c79d0c575a36cd3c3b6244c
https://doi.org/10.1057/978-1-137-59810-3_21
https://doi.org/10.1057/978-1-137-59810-3_21
Autor:
Shonagh Hill
Publikováno v:
Queen's University Belfast-PURE
In Marina Carr’s Portia Coughlan (1996) ghostly performances stage the unsettling effects of the past as it resurfaces in the present; of both individual memory and the cultural memory of female experience. Through application of Joseph Roach’s c
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::9e1ab45ab3b0321cc2a1fd9d89cf129d
https://doi.org/10.4000/etudesirlandaises.3065
https://doi.org/10.4000/etudesirlandaises.3065
Autor:
Shonagh Hill
Publikováno v:
Theatre Research International. 36:278-282
Feminist discourse has proven to be a vital component in the expanding field of Irish theatre studies owing to its exposure of elided work and the articulation of unrepresented voices. Irish women's participation in the public sphere and cultural fab
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::59bbb7797a17418422efd1fc2c9f3e89
https://doi.org/10.1017/s0307883311000526
https://doi.org/10.1017/s0307883311000526