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Autor:
Shelley, Braxton Deonte
This dissertation develops an analytical paradigm for African American gospel music. By examining the music of Richard Smallwood in relation to the work of sixteen other gospel composers, this project reveals the complex of belief, performance, and r
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7c31f853a5f5ec7f1e0a92e3205705ac
