Zobrazeno 1 - 10
of 13
pro vyhledávání: '"Shelleen Greene"'
Autor:
Shelleen Greene
Equivocal Subjects puts forth an innovative reading of the Italian national cinema. Shelleen Greene argues that from the silent era to the present, the cinematic representation of the'mixed-race'or interracial subject has served as a means by whic
Autor:
Shelleen Greene
Publikováno v:
African American Review. 55:137-150
Autor:
Shelleen Greene
Publikováno v:
Journal of Italian Cinema & Media Studies. 10:527-529
Autor:
Shelleen Greene
Publikováno v:
Italian Culture. 38:151-171
Set during the height of the Congolese Civil War (1960-1965), Congo vivo (Giuseppe Bennati, 1962), narrates the affair between an Italian journalist, Roberto (Gabriele Ferzetti) and Annette (Jean S...
Autor:
Shelleen Greene
Publikováno v:
A Companion to Federico Fellini. :331-346
Autor:
Ellen C. Scott, Shelleen Greene
Publikováno v:
Feminist Media Histories. 6:1-12
Autor:
Shelleen Greene
Publikováno v:
Curating Fascism ISBN: 9781350229464
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::898b1a5bd73d38659836c59beb80a873
https://doi.org/10.5040/9781350229495.ch-16
https://doi.org/10.5040/9781350229495.ch-16
Autor:
Mattia Roveri, Shelleen Greene
Publikováno v:
Italian and Italian American Studies ISBN: 9783030571603
This chapter explores the cinematic representations of black American soldiers in Italian postwar cinema. Through an examination of films and broader contemporary visual culture, the chapter analyzes the portrayal of American soldiers and officers of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::21c04de8b5cbc46b8bbdbe9c338f2343
https://doi.org/10.1007/978-3-030-57161-0_16
https://doi.org/10.1007/978-3-030-57161-0_16
Autor:
Shelleen Greene
Publikováno v:
Greene, Shelleen. (2018). Rhino / Rhinoceros: Experimental Cinema and the Migrant Condition. California Italian Studies, 8(2). Retrieved from: http://www.escholarship.org/uc/item/5628t5vx
Author(s): Greene, Shelleen | Abstract: This essay examines two films by Kevin Jerome Everson: Rhinoceros (2013) and Rhino (2017). Rhinoceros is an imagined staging of the last speech of the first Duke of Florence, Alessandro de’ Medici (1510-1537)
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::830502be45581fe0bc67d474588ab40c
http://www.escholarship.org/uc/item/5628t5vx
http://www.escholarship.org/uc/item/5628t5vx
Autor:
Shelleen Greene
Publikováno v:
The Journal of Popular Culture. 45:917-920