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pro vyhledávání: '"Shayna L. Maskell"'
Autor:
Shayna L. Maskell
Uncompromising and innovative, hardcore punk in Washington, DC, birthed a new sound and nurtured a vibrant subculture aimed at a specific segment of the city's youth. Shayna L. Maskell explores DC's hardcore scene during its short but storied peak. L
Autor:
Shayna L. Maskell
In chapter 5, the hardcore ethos of Do-It-Yourself (DIY) is explored. This philosophy frames a discussion of hardcore performances and venues and delves into the ways in which DYI flyers—the marketing of hardcore shows—worked to fight against com
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e390da58aefbf2589e05cab372cf613e
https://doi.org/10.5622/illinois/9780252044182.003.0006
https://doi.org/10.5622/illinois/9780252044182.003.0006
Autor:
Shayna L. Maskell
Chapter 2 focuses on Bad Brains, their seminal 1982 release of the same name, and how that pivotal album creates and simultaneously deconstructs conventional representations of a black identity, including the parallels between jazz and blues. The cha
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::162e36e315fc981f77e79c5ea6f20a90
https://doi.org/10.5622/illinois/9780252044182.003.0003
https://doi.org/10.5622/illinois/9780252044182.003.0003
Autor:
Shayna L. Maskell
Chapter 4 surveys three other DC hardcore bands— State of Alert, Government Issue, and Faith, focuses on how their music constructs—and at times, complicates—conventional representations of (white, privileged) masculinity. The chapter looks at
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0a42b9a08f455cf136e90650cbfc7b7d
https://doi.org/10.5622/illinois/9780252044182.003.0005
https://doi.org/10.5622/illinois/9780252044182.003.0005
Autor:
Shayna L. Maskell
This book aims to delineate, describe, explore, and examine hardcore in Washington, DC, during its zenith of both impact and innovation, 1978-83. During these indispensably creative and influential years in DC music, hardcore was not simply born—a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1dffb8331a47c57f6e5c8a3856cd10ca
https://doi.org/10.5622/illinois/9780252044182.001.0001
https://doi.org/10.5622/illinois/9780252044182.001.0001
Autor:
Shayna L. Maskell
This first chapter introduces the reader to DC hardcore—the sound, the music, and the bands that are emblematic of this music, including Bad Brains, Minor Threat, Government Issue, State of Alert, and Faith. A short background of each of these band
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::700fee01294c279bd517ec8af88cd1d2
https://doi.org/10.5622/illinois/9780252044182.003.0001
https://doi.org/10.5622/illinois/9780252044182.003.0001
Autor:
Shayna L. Maskell
In chapter 6, the straightedge ideology—no drinking, no drugs, no smoking, no meaningless sex—that helped defined the DC hardcore scene is examined. More precisely, the chapter argues how straightedge at once reinforced and subverted cultural con
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fde47225209958835e62808dd163ce83
https://doi.org/10.5622/illinois/9780252044182.003.0007
https://doi.org/10.5622/illinois/9780252044182.003.0007
Autor:
Shayna L. Maskell
The transformation of the social, cultural, and musical landscape of DC hardcore is considered in the concluding chapter, investigating how and why the sound of hardcore changed after 1983. Covering four key DC post-hardcore bands—Rites of Spring,
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7c0f0bdedb0d6ccdf7c094a92484b7a2
https://doi.org/10.5622/illinois/9780252044182.003.0009
https://doi.org/10.5622/illinois/9780252044182.003.0009
Autor:
Shayna L. Maskell
As a site of control and self-agency, the body worked as a powerful channel through which DC hardcore punks could perform and negotiate difference. Chapter 7 explores the ways in which these performances of difference – through clothes, through hai
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e1fad7b48d741d11c271c7d92e679a47
https://doi.org/10.5622/illinois/9780252044182.003.0008
https://doi.org/10.5622/illinois/9780252044182.003.0008