Zobrazeno 1 - 6
of 6
pro vyhledávání: '"Sharlene Khan"'
Publikováno v:
Transformation in Higher Education, Vol 7, Iss 0, Pp e1-e9 (2022)
Background: This article explores the dynamics of the Black Feminist Killjoy Reading Group (BFK) of the Rhodes University Fine Art Department and the Wits University Fine Art Department, as a space of black-African feminist care for participants. It
Externí odkaz:
https://doaj.org/article/803c0b0252d34e6682ea51b5610210dc
Autor:
Nontobeko Ntombela, Same Mdluli, Sharlene Khan, Nkule Mabaso, Nomusa Makhubu, Zodwa Skeyi-Tutani
Publikováno v:
Journal of African Cultural Studies. 32:471-492
This creative dialogue is part of the Art on our Mind Research Project public talk series run by South African visual artist and scholar Sharlene Khan, which invites South African women-of-colour c...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9915ca587e64d47b303701690224f194
https://doi.org/10.1080/13696815.2019.1695588
https://doi.org/10.1080/13696815.2019.1695588
Autor:
Sharlene Khan
Publikováno v:
Agenda. 32:109-118
The panel “Thinking Through, Talking Back: Creative Theorisation as Site of Praxis-Theory”, held at the African Feminisms Colloquium at Rhodes University in July 2017, converses on the role of the ...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cb8df997e164d3af20bf5e5178da0147
https://doi.org/10.1080/10130950.2018.1484585
https://doi.org/10.1080/10130950.2018.1484585
Autor:
Sharlene Khan
Publikováno v:
Eastern African Literary and Cultural Studies. 4:76-81
Histories are made of good stories told by good storytellers. Narrative is all important in conveying interpretable facts, defining contexts, time periods, key stakeholders, protagonists and antago...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4893132086721c8e4f8b5827257d3394
https://doi.org/10.1080/23277408.2018.1443622
https://doi.org/10.1080/23277408.2018.1443622
Publikováno v:
Small Axe: A Caribbean Journal of Criticism. 21:135-150
A photographic portfolio published as a special section “Art After Indenture,” in which five scholars characterize and respond to eight contemporary visual artists who are descendants of indentured workers. The author Andil Gosine as guest editor
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d8796fa12bfb5161b73350799beebd42
https://doi.org/10.1215/07990537-4156846
https://doi.org/10.1215/07990537-4156846
Autor:
Sharlene Khan, Fouad Asfour
Publikováno v:
The Palgrave Handbook of Race and the Arts in Education ISBN: 9783319652559
This chapter critically analyzes South African art criticism texts by White writers, highlighting racialized tropes in speaking about black artists and their creative production. These texts present black artists as lacking and mimetic, maintaining t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1874609897bd8af1dde4147b9194e474
https://doi.org/10.1007/978-3-319-65256-6_11
https://doi.org/10.1007/978-3-319-65256-6_11
