Music, Phones and Bank Loans

Autor: Shannon Garland

Publikováno v: Journal of Extreme Anthropology, Vol 7, Iss 2 (2024)

This article explores the making of two branded Spotify playlists to critique the concept of ‘affective labor.’ Over the last few decades, scholars have argued that social media users and creative industries workers alike are engaged in a new typ

Externí odkaz: https://doaj.org/article/d64662ce235846af9152ee5e6797794b

Review of Ignacio Corona and Alejandro Madrid, eds. 2008. Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized Scenario. Lanham: Lexington Books

Autor: Shannon Garland

Publikováno v: Current Musicology, Iss 89 (2010)

In Postnational Musical Identities, Ignacio Corona and Alejandro Madrid bring together twelve scholars working with (primarily) popular music in (primarily) Mexico and Latin America to consider the relationship between music, identity, and globalizat

Externí odkaz: https://doaj.org/article/2e7e6b583288421fa0ab34899db320a2

No love without conflict: rights to the city, cultural activism, and the ‘irony of affect’ in São Paulo, Brazil

Autor: Shannon Garland

Publikováno v: Culture, Theory and Critique. 61:283-302

This article discusses how love arose as a political ethos in Sao Paulo, Brazil. The meaning and feeling of love emerged as middle-class artists sought to do what they love as work; activists deman...

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::4cb6d56533141323b8f940245cb64b4e
https://doi.org/10.1080/14735784.2020.1856699

Exchanging musical ideas: the sociality of circulation in Rio de Janeiro independent music in the 1990s

Autor: Shannon Garland

Publikováno v: Revista do Instituto de Estudos Brasileiros n.73 2019
Revista do Instituto de Estudos Brasileiros
Instituto de Estudos Brasileiros (IEB)
instacron:IEB
Revista do Instituto de Estudos Brasileiros, Issue: 73, Pages: 47-63, Published: 26 AUG 2019
Revista do Instituto de Estudos Brasileiros, Iss 73, Pp 47-63 (2019)

RESUMO Este artigo descreve a formação de uma escuta local que emergiu no Rio de Janeiro nos anos 1990 entre participantes da música indie a partir do fazer musical, que englobava a produção e a circulação de mídias através das quais o indie

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::8a5469832b36a37ae3ef1ace62321f90
https://doi.org/10.11606/issn.2316-901x.v0i73p47-63

Amiguismo: capitalism, sociality, and the sustainability of indie music in Santiago, Chile

Autor: Shannon Garland

Publikováno v: Ethnomusicology Forum. 28:26-44

This article discusses the notion of amiguismo within Chilean indie music circles. Amiguismo is the contention that indie music in Chile is produced through interpersonal favours, thus hamstringing...

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::6a60349f2fb5d3f8e0a8c5c6026012c2
https://doi.org/10.1080/17411912.2019.1622431