Zobrazeno 1 - 10
of 456
pro vyhledávání: '"Shakir, Mustafa"'
Autor:
Pountney, Rosemary
Publikováno v:
The Review of English Studies, 2002 Aug 01. 53(211), 459-461.
Externí odkaz:
https://www.jstor.org/stable/3070669
Autor:
Khosrowpour, Shahrzad
Publikováno v:
MELA Notes, 2010 Jan 01(83), 45-48.
Externí odkaz:
https://www.jstor.org/stable/29785928
Autor:
Simawe, Saadi A.
Publikováno v:
Journal of Arabic Literature, 2009 Jan 01. 40(1), 129-132.
Externí odkaz:
https://www.jstor.org/stable/25597998
Autor:
Shakir Mustafa
The first anthology of its kind in the West, Contemporary Iraqi Fiction gathers work from sixteen Iraqi writers, all translated from Arabic into English. Shedding a bright light on the rich diversity Iraqi experience, Shakir Mustafa has included sele
Autor:
O'Dwyer, Riana
Publikováno v:
The Canadian Journal of Irish Studies, 2002 Oct 01. 28/29, 211-213.
Externí odkaz:
https://www.jstor.org/stable/25515443
Autor:
Reynolds, Paige
Publikováno v:
Theatre Journal, 2002 Mar 01. 54(1), 173-174.
Externí odkaz:
https://www.jstor.org/stable/25069040
Autor:
Shakir, Mustafa N. a, Woods, Alexis L. b, Sun, Kiyomi A. b, Goldman, Roger E. c, Campbell, Michael J. b, Corwin, Michael T. c, Graves, Claire E. b, ∗
Publikováno v:
In Journal of Surgical Research March 2024 295:53-60
Akademický článek
Tento výsledek nelze pro nepřihlášené uživatele zobrazit.
K zobrazení výsledku je třeba se přihlásit.
K zobrazení výsledku je třeba se přihlásit.
Autor:
Saleem, M. Usman1,2 (AUTHOR), Shakir, Mustafa1 (AUTHOR), Usman, M. Rehan1 (AUTHOR) rehan.usman@superior.edu.pk, Bajwa, M. Hamza Tahir3 (AUTHOR), Shabbir, Noman4 (AUTHOR) rehan.usman@superior.edu.pk, Shams Ghafaroki, Payam5 (AUTHOR) payam.shams@taltech.ee, Daniel, Kamran5 (AUTHOR)
Publikováno v:
Energies (19961073). Jun2023, Vol. 16 Issue 12, p4835. 21p.
Autor:
Maysaloun Faraj, Shakir Mustafa
Publikováno v:
Journal of Contemporary Iraq & the Arab World. 17:49-65
In this joint work, a central argument is that responses to art – such as commentary on paintings – construct narratives that run parallel to these artistic works. The commentaries are not ‘attached’ to the works, and although much of their a