Zobrazeno 1 - 9
of 9
pro vyhledávání: '"Sean Griffiths"'
Autor:
Lewis W. Francis, Seydou N. Yao, Lydia C. Powell, Sean Griffiths, Alexander Berquand, Thomas Piasecki, William Howe, Andrea S. Gazze, Mary C. Farach-Carson, Pamela Constantinou, Daniel Carson, Lavinia Margarit, Deya Gonzalez, R. Steven Conlan
Publikováno v:
Journal of Nanobiotechnology, Vol 19, Iss 1, Pp 1-13 (2021)
Abstract Background Sialyl-Lewis X/L-selectin high affinity binding interactions between transmembrane O-glycosylated mucins proteins and the embryo have been implicated in implantation processes within the human reproductive system. However, the adh
Externí odkaz:
https://doaj.org/article/5b74fbf0ce1748cc811e295453179805
Autor:
Pamela E. Constantinou, Andrea Gazze, Lewis Francis, Seydou N. Yao, Deya Gonzalez, Lydia C. Powell, R. Steven Conlan, Daniel D. Carson, Lavinia Margarit, Sean Griffiths, Thomas Piasecki, Alexander Berquand, Mary C. Farach-Carson, William Howe
Publikováno v:
Journal of Nanobiotechnology, Vol 19, Iss 1, Pp 1-13 (2021)
Journal of Nanobiotechnology
Journal of Nanobiotechnology
Background Sialyl-Lewis X/L-selectin high affinity binding interactions between transmembrane O-glycosylated mucins proteins and the embryo have been implicated in implantation processes within the human reproductive system. However, the adhesive pro
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::656eec65edf5708139fed58ace77b9d5
https://doi.org/10.1186/s12951-021-00793-9
https://doi.org/10.1186/s12951-021-00793-9
Publikováno v:
Neurosurgical review. 43(5)
Delayed cerebral ischaemia (DCI) after aneurysmal subarachnoid haemorrhage (aSAH) is a major cause of mortality and morbidity. The pathophysiology of DCI after aSAH is thought to involve toxic mediators released from lysis of red blood cells within t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::fb50e9c3ace41cd96bc2d65b5cda5b7d
https://pubmed.ncbi.nlm.nih.gov/31493061
https://pubmed.ncbi.nlm.nih.gov/31493061
Publikováno v:
Architectural Design. 81:122-127
Sean Griffiths, Charles Holland and Sam Jacob of FAT look back in retrospect at their top-ten Post-Modern moments. In a selection, which spans Denise Scott Brown looking vibrant in Las Vegas to James Stirling's exquisite drawing of the Derby Civic Ce
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::da2a2491b0f292bb637be8ac8d5db735
https://doi.org/10.1002/ad.1302
https://doi.org/10.1002/ad.1302
Publikováno v:
Architectural Design. 81:78-89
Sean Griffiths, Charles Holland and Sam Jacob of FAT explain how they have developed their own brand of fit-for-purpose Radical Post-Modernism that enables them to actively engage with the specifics of any building project. They work at a diverse ran
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6a454c880c4a434e9741e7824b7b132f
https://doi.org/10.1002/ad.1297
https://doi.org/10.1002/ad.1297
Publikováno v:
Architectural Design. 81:46-61
Sean Griffiths, Charles Holland and Sam Jacob of FAT curate and classify the work of a diverse and international grouping of Radical Post-Modern architects. They range from the recently defunct Foreign Office Architects (FOA), known for their procliv
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b252f391536cbe9a66f465d7a4ec1ab4
https://doi.org/10.1002/ad.1294
https://doi.org/10.1002/ad.1294
Autor:
Sean Griffiths
Publikováno v:
Architectural Design. 81:68-77
The ‘figural section’ is one of the most potent but under used forms of architectural communication. It enables slices, extrusions, fragments and surfaces of buildings to become the media of the non-expressive and deadpan. Here Sean Griffiths of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::01347d64a820746c879aa8574e621615
https://doi.org/10.1002/ad.1296
https://doi.org/10.1002/ad.1296
Publikováno v:
Architectural Design. 81:6-7
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6a1cf3103012a3602c0077365df5bef0
https://doi.org/10.1002/ad.1289
https://doi.org/10.1002/ad.1289
Publikováno v:
Mixmag; May2017, Issue 312, p26-26, 1p, 1 Black and White Photograph