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of 5
pro vyhledávání: '"Scott G. Norcross"'
Autor:
David Marston, Satoshi Oode, Jacek Stachurski, Paola Sunna, Oliver Wubbolt, Michael Weitnauer, Christophe Chabanne, David Wood, Scott G. Norcross, Benjamin Weiss
Publikováno v:
SMPTE Motion Imaging Journal. 128:104-110
This paper introduces the basic concept of next-generation audio (NGA)/International Telecommunications Union - Radiocommunication (ITU-R) Advanced Sound System (AdvSS), which is intended to provide the next generation of sound accompanying televisio
Autor:
Jens Popp, Hannes Muesch, Kristofer Kjörling, Jeroen Koppens, Janusz Klejsa, Michael Schug, Sripal S. Mehta, Toni Hirvonen, Jonas Samuelsson, Heidi-Maria Lehtonen, Mark Stuart Vinton, Per Ekstrand, Martin Wolters, Leif Sehlstrom, Lars Villemoes, Harald Mundt, Kurt Krauss, Jeffrey Riedmiller, Karsten Linzmeier, Scott G. Norcross, Prinyar Boon, Alexander Gröschel, Tim Carroll, Barbara Resch, Arijit Biswas, Heiko Purnhagen, Per Hedelin, Holger Hörich, Jonas Röden, Nicolas R. Tsingos
Publikováno v:
IEEE Transactions on Broadcasting. 63:179-201
AC-4 is a state-of-the-art audio codec standardized in ETSI (TS 103 190 and TS 103 190-2) and included in the DVB toolbox (TS 101 154 V2.2.1 and DVB BlueBook A157) and, at the time of writing, is a candidate standard for ATSC 3.0 as per A/342 part 2.
Autor:
Martin Bouchard, Scott G. Norcross
Publikováno v:
Signal Processing. 83:121-134
In this paper, the computational load of fast convergence recursive least-squares algorithms for multichannel active noise control (ANC) is reduced by the use of an inverse model of the acoustic plant between the actuators and the error sensors. The
Autor:
Martin Bouchard, Scott G. Norcross
Publikováno v:
The Journal of the Acoustical Society of America. 111:2386
In this presentation, the three main factors that affect the convergence speed of learning algorithms for adaptive FIR filters used in multichannel active noise control are described. Based on these three factors, a comparison of several adaptive FIR
Publikováno v:
The Journal of the Acoustical Society of America. 101:3135-3135
It is commonly assumed that low‐frequency reverberation time determines the perception of bass in concert halls. Laboratory experiments were conducted to evaluate whether this and other factors influence subjects’ perceptions of the strength of b