Zobrazeno 1 - 10
of 10
pro vyhledávání: '"Schimek, Hanna"'
Seit 1985 arbeiten der Architekt und Experimentalfilmemacher Gustav Deutsch und die Künstlerin Hanna Schimek gemeinsam unter anderem an Filmprojekten und Installationen. Auch die von ihnen einzeln signierten Projekte sind in ihrer Genese meist gemei
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::a4031050648765b55ba3fa716de21ab5
https://pub.uni-bielefeld.de/record/2952769
https://pub.uni-bielefeld.de/record/2952769
Autor:
Jill Murphy, Laura Rascaroli
As the cinematic experience becomes subsumed into ubiquitous technologies of seeing, contemporary artworks lift the cinematic from the immateriality of the film screen, separating it into its physical components within the gallery space. How do film
Autor:
Christian Kühn
Christian Kühns Texte sprechen auch Leser an, die mit Architektur nicht beruflich befasst sind. Sie schätzen daran, dass er Architektur nicht als zweckmäßigen Hintergrund oder als Bühne sieht, sondern als Idee, als Traum oder als verschlungenen
Autor:
Author Unknown
Particularly in the humanities and social sciences, festschriften are a popular forum for discussion. The IJBF provides quick and easy general access to these important resources for scholars and students. The festschriften are located in state and r
The two-volume set LNCS 12376 and 12377 constitutes the refereed proceedings of the 17th International Conference on Computers Helping People with Special Needs, ICCHP 2020, held in Lecco, Italy, in September 2020. The conference was held virtually d
Autor:
Isabel de Castro
O livro Estética da aproximação apresenta uma análise das imagens de três minisséries de Luiz Fernando Carvalho (Hoje é dia de Maria (2005); Capitu (2008-2009) e Afinal, o que querem as mulheres? (2010)), e oferece um olhar estético para quem
Autor:
Scott MacDonald
The Sublimity of Document: Cinema as Diorama is a collection of in-depth, substantive interviews with moving-image artists working'avant-doc, that is, making films that explore the territory between documentary and experimental cinema. The book uses