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pro vyhledávání: '"Sarah L. Higley"'
Autor:
Sarah L. Higley
Publikováno v:
Medieval Ecocriticisms. 2:53-88
A “faithful” film adaptation of Sir Gawain and the Green Knight has long been awaited. The romance lends itself well, it seems, to cinema in its vivid staging, psychology, and suspense. David Lowery’s The Green Knight (2019) reflects its visual
Autor:
Sarah L. Higley
Publikováno v:
A Cultural History of Fairy Tales in the Middle Ages. :89-110
Autor:
Sarah L. Higley
Publikováno v:
The Journal of English and Germanic Philology. 114:587-589
Publikováno v:
The International Journal of Interdisciplinary Studies in Communication. 7:43-57
Frank Popper's 2007 book "From Technological to Virtual Art" makes an important distinction between modern and postmodern technical art and "virtual" art. The latter, he insists, invites participation, and both celebrates and "humanizes" technology.
Autor:
Sarah L. Higley
Publikováno v:
Journal of Gaming & Virtual Worlds. 4:297-300
Autor:
Sarah L. Higley
Publikováno v:
Medieval Clothing and Textiles. :93-110
Autor:
Sarah L. Higley
Publikováno v:
Camera Obscura: Feminism, Culture, and Media Studies. 16:1-35
Autor:
Sarah L. Higley
Publikováno v:
Multilingua - Journal of Cross-Cultural and Interlanguage Communication. 18:267-280
The following is an experiment in erudition, story-telling, and language; it is a plunge in the dark; an anti-essay; a hybrid text. No scholar, in a learned article, could prove that the romance fairy-woman, the composite woman of medieval rhetoric a
Autor:
Sarah L. Higley
Publikováno v:
Camera Obscura: Feminism, Culture, and Media Studies. 14:129-160
Autor:
Sarah L. Higley
Publikováno v:
Christianity & Literature. 42:435-444