Zobrazeno 1 - 10
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pro vyhledávání: '"Sarah Hibberd"'
Autor:
Sarah Hibberd
Publikováno v:
Laboratoire Italien, Vol 20 (2017)
In January 1835, the premiere of Bellini’s I Puritani at the Théâtre-Italien took Paris by storm. Its most popular number was the Act II duet for bass voices “Il rival salvar tu dêi”– above all the unison conclusion to the cabaletta “Suo
Externí odkaz:
https://doaj.org/article/ad5580c05c374568b73b23ae0d1b76b9
Autor:
Sarah Hibberd
Publikováno v:
Current Musicology, Iss 74 (2002)
Since the publication of Jane Fulcher’s The Nation’s Image in 1987, there has been growing interest in exploring the appeal of French grand opera. This has generally taken the approach of grounding the works in their political context (Fulcher) o
Externí odkaz:
https://doaj.org/article/a4b8e226a72c46a5953970f9b615f7ad
Autor:
Sarah Hibberd
Publikováno v:
The Cambridge Companion to Music and Romanticism
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a4308bdb0151d6b8b7733f0a30b820fa
https://doi.org/10.1017/9781108647342.019
https://doi.org/10.1017/9781108647342.019
Autor:
Francesca Brittan, Sarah Hibberd
A collection of essays and short object lessons on the composer Hector Berlioz, published in collaboration with the Bard Music Festival. Hector Berlioz (1803–1869) has long been a difficult figure to place and interpret. Famously, in Richard Wagner
Autor:
Miranda Stanyon, Sarah Hibberd
This introduction to the volume provides overviews of theories of the sublime and musicology’s engagement with the sublime, before outlining the fresh perspective brought by this collection. The focus is on historically specific experiences of the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::627a683d7b3f5f5e39432b35284e3286
https://doi.org/10.1017/9781108761253.001
https://doi.org/10.1017/9781108761253.001
Autor:
Sarah Hibberd
Publikováno v:
Music and the Sonorous Sublime in European Culture, 1680–1880
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1a587c392cc4a72fbd808f49eb2b0dfa
https://doi.org/10.1017/9781108761253.006
https://doi.org/10.1017/9781108761253.006
Autor:
Sarah Hibberd, Miranda Stanyon
The sublime - that elusive encounter with overwhelming height, power or limits - has been associated with music from the early-modern rise of interest in the Longinian sublime to its saturation of European culture in the later nineteenth century and
Autor:
Sarah Hibberd
Publikováno v:
Nineteenth-Century Music Review. 13:366-369
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0fdc2e3680d4dd8b36cedf6bea7c0e98
https://doi.org/10.1017/s1479409816000021
https://doi.org/10.1017/s1479409816000021
Autor:
Luísa Cymbron, Jens Hesselager, Laura Moeckli, Anne Kauppala, Carolin Hauck, Owe Ander, Carlos María Solare, Sarah Hibberd, Ulla-Britta Broman-Kananen, Karin Hallgren, Emanuele Bonomi
Introduction Jens Hesselager Part 1 - Places 1. Parisian Grand Opera at the Basel Theater auf dem Bloemlein: Traces of Transnational Circulation, Translation and Reception Laura Moeckli 2. Grand Opera in Nineteenth-Century Stockholm: Court Celebratio
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cd3c3324a3220048a2b641ef816c7659
https://doi.org/10.4324/9781315466453
https://doi.org/10.4324/9781315466453