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pro vyhledávání: '"Sarah Balkin"'
Autor:
Sarah Balkin
Publikováno v:
TDR: The Drama Review. 67:149-166
Like Hannah Gadsby, Dave Chappelle understands the art of quitting. At the end of his 2021 Netflix special The Closer, a show full of jokes about LGBTQ people, Chappelle announces that he is “done” making such jokes “until we are both sure that
Autor:
Sarah Balkin
Publikováno v:
Theatre Research International. 45:72-85
In her 2017 showNanette, Australian comedian Hannah Gadsby announced that she was quitting comedy. In the show, Gadsby argued that as a marginalized person – a gender-nonconforming lesbian from rural Tasmania – she was doing herself a disservice
Autor:
Sarah Balkin
Publikováno v:
Textual Practice. 34:1649-1669
Ernest Scott (1867–1939), an early history professor at the University of Melbourne, left thirteen thousand books to the university library after his death. This article considers Scott’s books, ma...
Autor:
Sarah Balkin
Publikováno v:
A Cultural History of Comedy in the Age of Empire. :43-66
Autor:
Sarah Balkin
Publikováno v:
Touring Performance and Global Exchange 1850–1960 ISBN: 9781003055860
Touring Performance and Global Exchange 1850–1960
Touring Performance and Global Exchange 1850–1960
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ea429a5f9b9616ecafbfc4402164e041
https://doi.org/10.4324/9781003055860-13
https://doi.org/10.4324/9781003055860-13
Autor:
Sarah Balkin
Publikováno v:
Theatre Research International. 43:f1-f4
Autor:
Sarah Balkin
Publikováno v:
Performance Research. 23:124-133
As a gesture applause is both a demonstration of etiquette and an expression of feeling. This article asks how applause can help to conceptualize affective atmospheres in academic performance genre...
Autor:
Sarah Balkin
Publikováno v:
Modern Drama. 60:251-277
During his Inferno period (1894–97), August Strindberg studied Ernst Haeckel’s monism, which sought to bring the divine back into Darwinist natural science and proclaimed the unity of all matter. Monism influenced a range of late-nineteenth- and
Autor:
Sarah Balkin, Sandra D’Urso
Publikováno v:
TDR/The Drama Review. 61:94-111
Marina Abramović: In Residence (2015) was a participatory public art project that relied on “facilitators” trained in the Abramović Method. As in other later works of Abramović’s performance practice, the artist’s presence is implied in th