Zobrazeno 1 - 10
of 32
pro vyhledávání: '"Sara, D'Amario"'
Publikováno v:
Frontiers in Psychology, Vol 14 (2023)
Recent investigations on music performances have shown the relevance of singers' body motion for pedagogical as well as performance purposes. However, little is known about how the perception of voice-matching or task complexity affects choristers' b
Externí odkaz:
https://doaj.org/article/719c9e930d024954a33c6b683491b6b3
Publikováno v:
Frontiers in Psychology, Vol 13 (2022)
Musicians experience varying degrees of togetherness with their co-performers when playing in ensembles. However, little is known about how togetherness is experienced by audiences and how interpersonal dynamics in body motion and sound support the j
Externí odkaz:
https://doaj.org/article/e594adb9bc8743beb04998859f33d05e
Publikováno v:
PLoS ONE, Vol 14, Iss 6, p e0218162 (2019)
Recent investigations analysing synchronization in singing ensembles have shown that the precision of synchronization during singing duo performances is better in the presence of visual contact between the singers than without. Research has also show
Externí odkaz:
https://doaj.org/article/0afaed5620944c4f8128d3bd2bcfb659
Autor:
Sara D’Amario, Harald Schmidbauer, Angi Roesch, Werner Goebl, Anna Maria Niemand, Laura Bishop
Publikováno v:
Psychological Research.
Musicians’ body motion plays a fundamental role in ensemble playing, by supporting sound production, communication, and expressivity. This research investigates how Western classical musicians’ head motion during ensemble performances relates to
Publikováno v:
Frontiers in Psychology, Vol 9 (2018)
Interpersonal synchronization between musicians during ensemble performances is characterized by continuous micro-timing adjustments due to intentional and unintentional factors supporting expressive interpretations, or caused by noise during the cog
Externí odkaz:
https://doaj.org/article/86fa21f4c48746ea9678597798ce55ec
Autor:
Helena Daffern, Sara D’Amario
A valuable body of research utilizes the study of acoustics to explore the combined sonic output of vocal ensembles and the processes and vocal contributions of individual voices within an ensemble. This chapter focuses on specific acoustic features
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::77b1cf0ef623a8836e083580b96cc832
https://doi.org/10.1093/oso/9780198860761.003.0016
https://doi.org/10.1093/oso/9780198860761.003.0016
Autor:
Sara D'Amario, Freya Bailes
Publikováno v:
Together in Music
Timing and synchronization represent fundamental elements of ensemble playing. Empirical research has demonstrated remarkably tight synchronization in ensembles, including instrumental and classical singing formations. Nevertheless, asynchronies betw
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::817b4aa84120612fcd3360a4bf8a6c32
https://doi.org/10.1093/oso/9780198860761.003.0017
https://doi.org/10.1093/oso/9780198860761.003.0017
Autor:
Helena Daffern, Sara D'Amario
Publikováno v:
Psychomusicology: Music, Mind, and Brain. 27:229-243
Electrolaryngography (Lx) and electroglottography (EGG) are non-invasive methods used to assess human vocal fold vibration and investigate speech and singing. This paper provides a systematic review of evidence-based studies using Lx/EGG in the analy
Publikováno v:
Journal of voice : official journal of the Voice Foundation. 34(1)
The skill to control pitch accurately is an important feature of performance in singing ensembles as it boosts musical excellence. Previous studies analyzing single performance sessions provide inconclusive and contrasting results on whether singers
Publikováno v:
Logopedics Phoniatrics Vocology
This paper presents a novel method combining electrolaryngography and acoustic analysis to detect the onset and offset of phonation as well as the beginning and ending of notes within a sung legato phrase, through the application of a peak-picking al
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::646d493f2130e35286c3b2e40d256cdf