Zobrazeno 1 - 10
of 14
pro vyhledávání: '"Sanza(thumb piano)"'
Autor:
SHUNGU, Djamba Kitenge, MAKODI, Lisala
Publikováno v:
African Study Monographs. 13(2):111-126
Sanza, often translated as "thumb piano", is one of the important traditional musical instruments in Africa. It is neither a percussion nor a wind instrument, and because of this ambiguity it has been a problem to the Western ethnomusicologists who a
Autor:
VOLPER, JULIEN
Publikováno v:
African Music: Journal for the International Library of African Music. 2013, Vol. 9 Issue 3, p7-20. 14p.
Autor:
Winders, James A.
Publikováno v:
Paris Africain; 2006, p221-231, 11p
Autor:
Martin, Phyllis
Publikováno v:
Leisure & Society in Colonial Brazzaville (9780521524469); 1995, p45-70, 26p
Autor:
Armstrong, Linda
Publikováno v:
New York Amsterdam News. 12/14/2000, Vol. 91 Issue 50, p23. 1/4p.
Autor:
Schrock, Terrill
This book is a dictionary and grammar sketch of Ik, one of the three Kuliak (Rub) languages spoken in the beautiful Karamoja region of northeastern Uganda. It is the lexicographic sequel to A grammar of Ik (Icé-tód): Northeast Uganda's last thrivin
Autor:
Wuteh Vakunta
This study raises awareness to the emergence of a new genre in world literaturehybridized literature. It rejects the assumption according to which literatures written in less commonly taught languages should be subsumed into one universally accessi
Autor:
Robert Parkin, Anne de Sales
Outside France, French anthropology is conventionally seen as being dominated by grand theory produced by writers who have done little or no fieldwork themselves, and who may not even count as anthropologists in terms of the institutional structures
Autor:
Bart Plantenga
Yodel-Ay-Ee-Oooo is the first book to address the question: How did a centuries-old, Swiss mountain tradition make its way into American country music? Along the way, the reader discovers that yodeling is not just a Swiss thing--everyone from Central
Autor:
Peter Wuteh Vakunta
Toward the Decolonization of the Europhone African Novel is a treatise on the problematics of language choice in Europhone African literature. Vakunta's research is rooted in the notion that the postcolonial African fiction writer is at a crossroads