Zobrazeno 1 - 10
of 77
pro vyhledávání: '"Sanja Cvetnić"'
Autor:
Sanja Cvetnić
Publikováno v:
Peristil, Vol 66, Iss 1, Pp 51-59 (2023)
The painting of the Virgin and Child with St. Anthony of Padua was likely acquired by Bishop Đuro Kokša between 1983 and 1989, during which time it was first exhibited as part of his collection. Initially attributed to Denis Calvaert, the painting
Externí odkaz:
https://doaj.org/article/dbcfc12c04c64a9ca5002a761615148a
Autor:
Sanja Cvetnić
Publikováno v:
Radovi Instituta za Povijest Umjetnosti, Iss 47, Pp 57-68 (2023)
U franjevačkoj crkvi Presvetoga Trojstva u Karlovcu, u kapeli izvorno podignutoj 1748. godine – za koju su novac darovali Feldmarschall Joseph Maria Friedrich Wilhelm Hollandinus von Sachsen-Hildburghausen, Vice-Colonello Maximilian Josef barun Mi
Externí odkaz:
https://doaj.org/article/88c722fb2b6e4b91b975b4d9d5ca814b
Autor:
Sanja Cvetnić
Publikováno v:
Peristil, Vol 65, Iss 1, Pp 157-165 (2022)
The artist’s book of accounts testifies to the commissions of works from the Bolognese painter Giovanni Francesco Barbieri, known as il Guercino, where on August 9, 1632, an advance payment for the commission of the painting ”St. Thomas the Apost
Externí odkaz:
https://doaj.org/article/446e40ad256b40829e368213452e4669
Autor:
Sanja Cvetnić
Publikováno v:
Radovi Instituta za Povijest Umjetnosti, Iss 46, Pp 59-68 (2022)
Slika Poklonstvo kraljeva nalazi se u zbirci biskupa Đure Kokše od početka osamdesetih godina 20. stoljeća s atribucijom Jeanu II. Restoutu, proslavljenom članu dinastije normandijskih slikara i jednoj od perjanica pariške slikarske scene. Čla
Externí odkaz:
https://doaj.org/article/aceb5247016b400fb0fbf10abedafc91
Autor:
Sanja Cvetnić, Zoraida Demori Staničić
Publikováno v:
Ars Adriatica, Vol 8, Pp 153-162 (2018)
Slika Bogorodica s Djetetom na Visovcu usporediva je sa slikama Jacopa Amigonija s početka petoga desetljeća 18. stoljeća, kada boravi u Veneciji i vjerojatno organizira radionicu. Članak objašnjava prijedlog atribucije slike velikom imenu mleta
Externí odkaz:
https://doaj.org/article/600098ab72344527ba4be4c775a7edc2
Autor:
Sanja Cvetnić
Publikováno v:
Radovi Instituta za Povijest Umjetnosti, Iss 42, Pp 85-94 (2018)
Članak obrađuje dva portreta na kojima je vjerojatno prikazana Beatrica Frankapan (Modruš ?, oko 1480. – ? 1510.) s ordenom Labudova reda (njem. Schwanenorden). Prema literaturi, berlinski portret nalazio se u zbirci njemačkoga Krunskoga princa
Externí odkaz:
https://doaj.org/article/ab328cde55554d9088058530e9cc4ee5
Autor:
Sanja Cvetnić
Publikováno v:
Radovi Instituta za Povijest Umjetnosti, Iss 41, Pp 33-38 (2017)
In the 17th century, the hagiography and iconography of Bishop Iohannes Traguriensis were enriched by various members of Trogir’ s noble families. In this promotion of the cult of the local beato, Dominik Andreis stands out with his efforts: he was
Externí odkaz:
https://doaj.org/article/2726bf5065034112bd1055f936e764c8
Autor:
Sanja Cvetnić
Publikováno v:
Acta Historiae Artis Slovenica, Vol 23, Iss 2 (2019)
The great revival of interest in the theme of ars moriendi in the early 17th century aimed to promote Tridentine bona vita, i.e. a sacramental “good life”, to large numbers of the faithful. The rules and program of the Bona Mors Confraternity in
Externí odkaz:
https://doaj.org/article/e3f4c12298624d7ca455611c475e2cf0
Autor:
Sanja Cvetnić
Publikováno v:
IKON. 14:303-312
Fresco decoration in the sanctuary of the Church of St Jerome in Strigova in north-western Croatia was completed in 1744 by Ioannes Baptista Ranger, the most prominent painter of the first half of ...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6ac1110cbdb16ae1ef68a211d746976d
https://doi.org/10.1484/j.ikon.5.128313
https://doi.org/10.1484/j.ikon.5.128313
Autor:
Sanja Cvetnić
Publikováno v:
Radovi Zavoda za znanstveni rad Varaždin
Issue 30
Issue 30
PROBUĐENA VARAŽDINSKA BAŠTINA (U PET EMBLEMA)
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::429995dcc858fd8af3c2a51770c1907e
https://doi.org/10.21857/ydkx2crvj9
https://doi.org/10.21857/ydkx2crvj9